Capitol Theatre

DavePrice on March 27, 2013 at 6:33 pm

Butch: The Paramount, the Tennessee, Loew’s and the “New Princess” were all operating during the 1960s. The New Princess was for a time called the Cinerama and after Loew’s burned in 1967, they took over the New Princess and called it Loew’s Crescent. I know the Fifth Avenue was out of business before the sixties but I cannot remember when the Knickerbocker closed. Some other oldster ought to chime in here on this.

rivest266 on June 27, 2017 at 9:40 pm

Article:

Found on Newspapers.com

rivest266 on June 27, 2017 at 9:46 pm

This opened on April 19th, 1926.

Will Dunklin on September 6, 2023 at 2:05 pm

Excerpts from the Nashville Banner newspaper, March 16, 1929, page 1

UPTOWN FIRE CAUSES DAMAGE OF $300,000

Capitol Theater Destroyed – Station WBAW and Other Tenants of Odd Fellows’ Building Sustain Losses – Firemen Hurt

Damage caused by the fire which started about 1 a.m. Saturday beneath the stage of the Capitol theater, at Sixth and Church, and ate its way through the four-story Odd Fellows building, may exceed $300,000.

The entire interior of the Capitol theater proper was destroyed leaving only the steel cross beams of the theater above the mass of charred debris that covered the first floor of the building. At 6 a.m. thin lines of smoke still arose from the maze of wreckage piled over the seats of the theater, and firemen, despite the danger of the floors above caving in, were digging through the tangled mass, in an effort to put out the smouldering (sic) embers.

The rear section of the building was burned to the fourth floor, leaving the second and third floors hanging perilously above the interior of the theater, supported by buckled beams and framework, most of which was partially burned…

…Capitol Theater, leased by the Crescent Amusement Company, including Vitaphone equipment, ventilating system and $35,000 pipe organ, damaged $100,000…

…The organ, one of the largest in the South (typical hyperbole, ed.) fell a victim to the fire shortly after it started. It was valued at $35,000 and was practically demolished. The long pipes, running almost two stories, were standing, but were bent and charred. The Vitaphone equipment, recently installed, was demolished, leaving only a shadow of black framework. The damage to this, together with the dame to the ventilating system of the theater, was estimated by Tony Sudedum at $90,000. The projecting equipment of the theater received considerable water damage and is said to be unfit for further use. Considering the equipment and accessories, the damage was said to be at least $100,000…

…Firemen were of the opinion that the building may be condemned as several of the steel beams had buckled, leaving the brick walls of the building without strong support. Parts of the upper floors swung downward, hanging apparently in the air, supported by two-by-fours that creaked under the strain.

The seats of the theater were literally covered with the fixtures that had adorned the theater, burned and charred framework that had crashed upon them, and with office supplies of all kinds that had tumbled with the floors.

Although origin of the fire is not known it is believed that it started from defective wiring beneath the stage of the theater. The stage, with the organ of the theater, were the first victims of the flames. No official statement on the cause of the fire was given out, but firemen of the first companies to arrive at the scene expressed the belief that it was the wiring under the stage that had first become ignited…

Will Dunklin on September 6, 2023 at 3:20 pm

And while we’re at it, I found that the Capitol’s organ was built by local pipe organ serviceman James Rufus Hatch. Crescent Amusement and Tony Sudekum apparently never invested in top brand organs. Mr. Hatch had moved to Nashville in 1922 from Saint-Hyacinthe Quebec where he learned the organ trade. It is reasonable to assume he worked for Casavant Freres located there, which was (and still is) one of the most respected pipe organ building companies in North America. However, there is precious little record of any work that Mr. Hatch did beyond this one installation.