6712 Hollywood Boulevard,
98 people favorited this theater
American Cinematheque LA (Official)
Operated by: Netflix
Previously operated by: Fox West Coast Theatres, Grauman, United Artists Theater Circuit Inc.
Architects: Phillip W. Holler, Raymond M. Kennedy, Mendel Meyer
Firms: Meyer & Holler
Previous Names: Grauman's Egyptian Theatre
- Las Palmas Theatre
- Vogue Multicultural Museum
- Arena Cinelounge
- Hologram USA Hollywood Theater
- Hollywood Theatre
News About This Theater
- Aug 17, 2013 — 3-D Film Expo returns to the Egyptian
- Mar 18, 2013 — “South Pacific” 55th Anniversary – The Roadshow Engagements
- Mar 5, 2012 — Egyptian celebrates 90 years
- Aug 11, 2011 — Cinecon returns to the Egyptian
- Nov 17, 2010 — 70mm! Premiere of New Restored Soundtrack! "West Side Story"
- Oct 13, 2010 — Happy 55th, Todd-AO & "Oklahoma!"
- May 21, 2010 — Happy 30th, "Empire"
- Nov 18, 2009 — Happy 50th, "Ben-Hur"
- Aug 21, 2009 — "Alien" 30th Anniversary
- Jul 30, 2009 — Old fashioned ballyhoo / Richard Elfman shows Hollywood !
- Mar 8, 2009 — A Tribute to Forrest J. Ackerman
- Oct 16, 2008 — Art Deco Society event at Egyptian
- Oct 10, 2008 — Remembering Cinerama (Part VI)
- Sep 23, 2008 — The age of the roadshow
- Jan 9, 2008 — Seminar at Egyptian
- Oct 19, 2007 — Egyptian turns 85
- Feb 8, 2005 — "Sweetheart Tour" of Hollywood's Egyptian Theatre
- Mar 18, 2004 — Crest Theatre Now Hosts Midnight Classic Film Screenings
- Jan 13, 2004 — REMINDER: Sid Grauman Event Tonight!
- Jan 9, 2004 — Sid Grauman and the Courtyard Theatres Event at the Egyptian
Builder Charles E. Toberman recruited Sid Grauman to open the first of the grand Hollywood movie palaces and in 1920 when it was first announced, the plans were for it to be designed in a Spanish style. The Egyptian Theatre cost $800,000, was constructed over 18 months and had a seating capacity of 1,771 (all on one level). The Egyptian theme was chosen for the name and décor to take advantage of the excitement drawn by the discoveries and searches in Egypt for ancient artefact such as King Tutankhamen’s tomb (which was discovered by Englishman Howard C. Carter on 26th November 1922;five weeks after the Egyptian Theatre opened). Architects Mendel Meyer & Phillip W. Holler of the Milwaukee Building Co. designed the building with decorator Raymond M. Kennedy in charge of decorative details. This theatre was among the first of many Egyptian Revival style theatres in the US.
A world premiere presentation of Douglas Fairbanks in “Robin Hood” was shown at the first ever ‘Hollywood Premiere’ at the grand opening of Grauman’s Egyptian Theatre on October 18, 1922 and continued to be screened until the first week of April 1923. The next attraction was “The Covered Wagon” followed by “The Ten Commandments” which premiered at the theatre on December 4, 1923. This was followed by “The Thief of Bagdad” and all had long runs, in fact Grauman’s Egyptian Theatre only played four movies in its first three years of operation. Grauman also presented an elaborate live stage show ‘Prologue’ with each performance of the movies.
After Grauman departed the Egyptian Theatre in 1927 to open Grauman’s Chinese Theatre along the Boulevard, Fox West Coast Theatres operated the Egyptian Theatre as a re-run house (a clause in the contract kept the Grauman name on the theatre). In 1944, the Egyptian Theatre became the exclusive Hollywood showcase for MGM and it became a first-run premiere house again.
A large curved Todd A-O screen was installed for the Roadshow engagement in 70mm of “Oklahoma” which had its West Coast Premiere on November 17, 1955. Sadly the installation of the huge 75feet wide screen led to the demolition of the elaborate original Egyptian style proscenium arch. A new projection suite was built at seating level in the rear of the orchestra seating and the auditorium walls were covered in yellow drapes. It was most likely that it was at this period of time that the original Wurlitzer 3Manual/15Ranks organ was removed from the building.
Additional West Coast Premiere’s and engagements of 70mm movies included “South Pacific”(May 21, 1958, and was shown for more than one year), “Ben Hur”(November 24, 1959 and ran for two years), “King of Kings”(October 12, 1959), “Mutiny on the Bounty”(November 15, 1962), “The Cardinal”(December 19, 1963), “My Fair Lady”(October 28, 1964 and ran for more than a year), “Hawaii”(October 12, 1966), “Funny Girl”(October 9, 1968 and was the last of the long Road Show presentations), and “The Poseidon Adventure”(December 14, 1972). The World Premier in 70mm of “Marooned” was held December 12, 1969.
From 1949 until it closed in 1992, United Artists were the operator of the Egyptian Theatre. From the 1970’s, 20th Century Fox movies were showcased. In 1969 a huge curved movie screen of about 90 feet wide was installed. On July 19, 1972 United Artists added two small auditoriums Egyptian II & III in what had been a store on the east side rear of the theatre.
In its last years United Artists were operating the Egyptian Theatre as a last run discount house with $1.50 admission.
After closing in 1992, the main original auditorium was was shuttered, while the screens Egyptian II & III were converted into live theatre use. The original Egyptian Theatre was badly damaged in the 1994 Northridge earthquake. The City of Los Angeles had purchased the theatre a few months before the earthquake and so that it could be re-opened, ownership was transferred for $1.00 to the American Cinematheque. This classic movie theatre was given a stylish multi-million dollar make-over and renovation. The palm tree lined forecourt was restored to its original grandeur. The interior was renovated with solid, minimalist quality and state of the art technology. The main auditorium named for philanthropist Lloyd E. Ringler was reopened with its original, ornate sunburst ceiling and 616 seats. The screen is 53 feet wide and 27 feet high. A second theatre named after donor Steven Spielberg, is downstairs, and has 78 seats.
A key part of the revitalization of Hollywood Boulevard, the theatre reopened to the public, appropriately, with “The Prince of Egypt”. Among the celebratory reopening festivities was the ‘Vintage Premier’ of the 1923 version of Cecil B. DeMille’s “The Ten Commandments” starring Theodore Roberts on 4th December 1998, the exact 75th Anniversary of the film’s original World Premiere at Grauman’s Egyptian Theatre.
In the meantime, the former Egyptian II & III screens have been re-opened as the Arena Cinema in 2013, but are not associated with the American Cinematheque.
In October 2019 Netflix were in talks to be co-operator of the Egyptian Theatre and to screen their movie “The Irishman” which began its run in November 2019. On May 28, 2020 Netflix took over the operation of the theatre. Closed due to the Covid-19 pandemic, Netflix decided to restore and renovate the Egyptian Theatre as far as possible back to its original look. The small Steven Spielberg screen has been removed and the interior installed by the American Cinematheque has been removed.
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Recent comments (view all 266 comments)
The Pig N Whistle, which occupied one of the Egyptian’s retail spaces, was recently remodeled into a Mr. Tempo Cantina. While the unit has seen remodels and tenant changes before, this latest incarnation of the Pig N Whistle had meticulously recreated the venue’s historic 1920’s look. Unfortunately, that history was unceremoniously cast off and replaced with a “hip” modern style for the cantina remodel.
The other retail units at the Egyptian (most recently occupied by a juice bar) remain vacant and boarded up.
Bigjoe59: The Egyptian’s roadshow run of “Hawaii” played 52 weeks (10/12/66-10/9/67).
to MSC77- thanks for the info. just out of curiosity could a theater get out of a roadshow engagement if the film wasn’t doing well even if they signed a contract with a studio to show the film for however many weeks or months? the reason I ask is simple. I happen to like The Greatest Story Ever Told and saw it twice during its roadshow run “in Cinerama” at the Warner Theater in Manhattan. now after the box office tallies for 1965 were added up the TGSET was considered a financial loss for United Artists. to which my question- why in God’s name would the Warner have hosted a roadshow engagement of TGSET for 44 weeks if it wasn’t making $$$?
Hello bigjoe59 !
Maybe it was a good buisness for the theatre, but to small for the producer.
If a theater agreed to run a film for a certain length of time that theater was committed. Star Wars was booked for only a few weeks at the Chinese and because of a previous booking of another film it was moved to another theater so that another film could play the Chinese. Once the run of that film was done Star Wars was put back at the Chinese for a long run. The theater did not accept any more bookings until Star Wars was played out. For Cinerama theaters there might not have been any product to put in theaters like the Warner. But if the theater agreed to run a film for a certain length of time they did even if was at a loss.
Ben Sack a theater owner in Boston booked a turkey. When he couldn’t get out of running it he let people in for free and started a long running feud with the producer.
I walked by the rear of the Egyptian today (6/14/22). The remodel is extremely extensive and has much of the theatre stripped down to the framework (pictures posted).
Wow. Why have they gutted this beautiful theater?
Wow. Why don’t people look up things online and become informed about Netflix’s plans for this beautiful theatre?
Mikeoaklandpark…this is from the American Cinematheque website:
“In 2020, Netflix acquired the landmark Egyptian Theatre from the American Cinematheque; the movie palace will undergo a much-needed renovation in 2021 which will return it to its original 1922 grandeur. Once the renovations are complete, the AC, a non-profit cultural arts organization, will program the theatre on Fridays, Saturdays and Sundays under a long-term agreement with Netflix, which will program Monday-Thursdays.
The Egyptian will continue to be the Hollywood home of the American Cinematheque."
Thanks Steve. I knew Netflix bought the theater it just seemed so beautiful before that I didn’t understand why they gutted it. m00
se1111 it didn’t answer the question in my mind as to why