As I stated in a previous post and having once worked at the Ziegfeld, the curtain system was broken 80% of the time and we used to tie it up so we could run the film as it was too heavy to run manually. I suspect it is either broken or they do not want to risk losing a sold-out show of HAIRSPRAY to a curtain.
You can do the preshow and then open and close the curtain before the feature. Although I hate them as well, the preshow is here to stay. The revenue of preshow alone can pay for digital delivery.
I think it is very telling of conditions today that Justin thinks masking is a new invention. We have a generation used to crap presentation and we then wonder why so many stay home between blockbusters.
The Mitchell Brothers made Marilyn Chambers a star.
Walt Disney made Annette Funicello a star.
To all those who kept downtown palaces and small town drive-ins open for so many years past their sell-by dates, we salute you both!
…and Michael, thank you for acknowledging Mr. Mitchell’s significant contribution to our industry. He was indeed a beacon at a time when the public turned its back on almost everything mainstream, and instead embraced things BEHIND THE GREEN DOOR.
I disagree. His place in movie history is as valid, if not more, than many others in the industry who in the pursuit of profit inadvertently stumbled into art.
I worked with Matty Tylek at ABC & Plitt. He eventually moved over to Petengill and took it over when Howard retired, eventually renaming the agency Pettengill/Tylek and moving from Coral Gables to Miami Shores. Diener Hauser & Bates proved to be a relentless competitor with New York connections and they eventually took over the placement market in South Florida.
Were you around during the Loews Tom Elefante days of the Riviera?
I remember the day tragic day well now, Big Ed. He was run over by a drunk driver on a downtown Miami sidewalks while on his way to work at Wometco early in the day.
I was working for Pettengill Advertising at the time and Marvin Reed was a true gentlemen and professional, well respected by everyone in the local industry.
Wometco’s booking and marketing people worked hard on promoting American International Picture’s less than stellar films. Years later, when AIP was bought by Orion, the loyalties remained and all Orion films went to Wometco in spite of AMC’s local clout.
As I stated in a previous post and having once worked at the Ziegfeld, the curtain system was broken 80% of the time and we used to tie it up so we could run the film as it was too heavy to run manually. I suspect it is either broken or they do not want to risk losing a sold-out show of HAIRSPRAY to a curtain.
This NEW STRAND was open in 1924 under the Manhattan Bridge (78 East Broadway). Does anyone have any more info so they can list it on CT?
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There are no theatres near east 42nd street, so no, however, the Chrysler building is closed and being checked for structural damage.
That would be a tragedy!
For Cinema Treasures in peril check out the flooding in England…
You can do the preshow and then open and close the curtain before the feature. Although I hate them as well, the preshow is here to stay. The revenue of preshow alone can pay for digital delivery.
I think it is very telling of conditions today that Justin thinks masking is a new invention. We have a generation used to crap presentation and we then wonder why so many stay home between blockbusters.
You can get pictures from the HAIRSPRAY premiere on thousands of websites (IMDB for starters). CT is about preservation.
The Meadows, opening day newspaper ad and a daytime shot soon after re-opening as a Cineplex Odeon multiplex.
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The latest Google map shows it gone but the building on the corner is still there.
Warren, your photo link is missing the sign for an 86th Street theatre on the north side of the street. I thought that was your point (?)
Gents, this page from the book NEW YORK THEN AND NOW might help.
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The Mitchell Brothers made Marilyn Chambers a star.
Walt Disney made Annette Funicello a star.
To all those who kept downtown palaces and small town drive-ins open for so many years past their sell-by dates, we salute you both!
…and Michael, thank you for acknowledging Mr. Mitchell’s significant contribution to our industry. He was indeed a beacon at a time when the public turned its back on almost everything mainstream, and instead embraced things BEHIND THE GREEN DOOR.
Here is that mystery link to SPARKS' THEATRES I mentioned above.
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Vaudeville at the Paramount?
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Before it was demolished for the Olympia, this site was the Hippodrome.
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The Rosetta.
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I think this i sthis Capitol.
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The Miami on a postcard.
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The photos of the Town.
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The Coral in 1964.
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I disagree. His place in movie history is as valid, if not more, than many others in the industry who in the pursuit of profit inadvertently stumbled into art.
Happy holidays from Florida State Theatres, 1965.
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THE LUCK OF GINGER COFFEY at the Baronet.
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Merry Christmas from Florida State Theatres, 1966.
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I worked with Matty Tylek at ABC & Plitt. He eventually moved over to Petengill and took it over when Howard retired, eventually renaming the agency Pettengill/Tylek and moving from Coral Gables to Miami Shores. Diener Hauser & Bates proved to be a relentless competitor with New York connections and they eventually took over the placement market in South Florida.
Were you around during the Loews Tom Elefante days of the Riviera?
I remember the day tragic day well now, Big Ed. He was run over by a drunk driver on a downtown Miami sidewalks while on his way to work at Wometco early in the day.
I was working for Pettengill Advertising at the time and Marvin Reed was a true gentlemen and professional, well respected by everyone in the local industry.
Wometco’s booking and marketing people worked hard on promoting American International Picture’s less than stellar films. Years later, when AIP was bought by Orion, the loyalties remained and all Orion films went to Wometco in spite of AMC’s local clout.
LOL, Jerry. I wasn’t aware that writers were involved in this summer’s crop of record breaking movies.
Oh, yeah, that HARRY POTTER woman.