Roxy Theatre
153 W. 50th Street,
New York,
NY
10020
153 W. 50th Street,
New York,
NY
10020
83 people
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Showing 451 - 475 of 1,225 comments
The Roxy Theatre was quite probably the greatest theatre ever built. It lasted 33 years. That’s a crime.
Simon, I WAS referring to the grand staircase, seen above, not the lower staircase that you’re referring to. That one led to the manager Mr. Katz and his assistant manager’s offices and loge. Maybe not in your time there, but looking at the picture, the concession stand was to the right of that. And there was even another smaller one in the balcony at the top of that grand staircase by the small window, seen in the Gloria Swanson picture of her standing in the rubble in 1961. Mr. Levy was the concessions manager. I worked there for nearly 3 years in the early 1950s so I ought to know. It must be that you worked there a bit later. Regarding the usher doing cartwheels, as I said, he was not
your regular usher but an extremely flamboyant fellow and discipline might have been a bit relaxed during a peak time when hundreds of patrons were standing on the grand staircase. It was only once I saw him do that. It’s nice to share our memories.
Thanks for your memories Richka. But the loge stairway was exclusively for the loge patrons. There was no access to the balcony from there. General admission patrons had to use the grand staircase in the front of the rotunda. I’m surprised to hear about ushers doing tricks. When I was there you would have been fired if you crossed your arms let alone do acrobatics to entertain the patrons. Discipline was strict and we had to be at our post at attention at all times, especially during pressure business. No time for comedy. But I don’t doubt what you say, only that times must have changed. Only concession stand was in the lower lounge. I worked there.
Memories of the Rotunda – from someone who was there. About these photos – they are wonderful to have, especially the first one. I may have posted it before here on this site, or perhaps somewhere else, but this first picture shows the location of the yet to be concession stand just to the right of that staircase leading to the loges and manager’s office. I don’t know when the concession stand was put in that location as it was many, many years later – not too many years before the theater was demolished, when I worked there selling candy as a 16 year old. From my viewpoint there I could look up at the two ton chandelier hanging from the ceiling. The giant Rotunda (we were not
allowed to call it a lobby) had a circular carpet that we employees
were not even allowed to walk on so I had to walk around it to and from my post at the candy stand. The circular staircase that you see
often was filled with masses of people waiting for seats in the
upper balconies. One rather flamboyant usher would often entertain
those hundreds of waiting patrons by doing his acrobatic tricks,
cartwheeling up and down that grand stair case and finishing with a
full split, to the patron’s amazement and applause! I have so many youthful memories of this theater, some good, some bad.
As the 1001st post for the beautiful Roxy, all I can say is, after viewing those photo’s…how in the world anyone could have let a treasure like that be destroyed is unimaginable. Generations from now, people will still be asking why, and what for. I’m only sorry I was too young to ever see it.
The photos are wonderful (double sigh). The photo of the lobby, however, includes only the entrance to the loge (about halfway into the rotunda)on the second level. Before the stairway to the loge is the grand stairway to the balcony, also on the left and seen as soon as you enter the theater from the outer lobby. Towards the center orchestra doors (to the extreme right…not seen in photo)is an alcove where patrons could take a huge elevator to the balcony.
Several good photos here (heavy sigh)…
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If anyone saw “Middle of the Night” (1959), written by Paddy Chayefsky, on TCM the other day: Lee Philips' character talks about a musician he knows “who used to work in the pit in the Roxy, before they put in CinemaScope”.
I read recently in a Christian Science Monitor article that “stereoscopic” Natural Vision pictures were due to be shown at the opening of the Roxy in March 1927. Last year on this site nj-girl quoted from the opening night program and described the Natural Vision projectors installed in the projection booth of the Roxy.
Does anyone know if any Natural Vision pictures were actually shown on the opening night and if so what? I only know of one Natural Vision short made up until this point which was of Niagara Falls and I only know of screenings in Chicago.
Someone a while back was asking about where entrances to Roxy Theater were located. Apart from the Box offices on the corner of 7th Ave. and 50th Street, there were three other entrances. 153 West 50th was a door just a bit further East on 50th that had a service desk inside and an elevator to upper floors including Executive Offices at the top floor. It was the entrance for all front of house employees. Around the corner on 51st Street was the stage door for all performers as well as the scene dock used for loading stage scenery, animals, etc. leading directly to the stage.
Greetings —— When a local movie theater opened in 1928, the newspapers mentioned that the ‘Bruencker lighting effects’ would be displayed during the opening day ceremonies, and that these ‘lighting effects’ were the very same as had been installed at the Roxy Theater in New York City the previous year. Can anyone here provide technical detail about this? Thank you. Compendial
Seems like “Windjammer” is being screened in England
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It’s sad how young movie goers have little knowlege or privelage of going to a big single movie theater to see a popular movie that plays for months. Now it’s just 1 week and what’s next at a multiplex.
Check out my new movie blog
www.entertainmenttodayandbeyond.com
Oops Warren – have I done something wrong? I didn’t mean to divert any attention away from the great Roxy Theater but thought this site could be about about movie palaces in general because there ARE postings here about other theaters, apart from the Roxy. Especially because it may be interesting that a former movie palace has had a re-birth – a bit unusual these days.
I stand corrected.
Richka
For anyone interested in movie palaces that have had a recent re-birth: In Tucson, Arizona where I live, stands The Fox Theatre, Tucson’s only movie palace of the past. [Now of course, Tucson cinemas are all located in the malls or in multi cine-plexes.] The Fox saw its heyday between 1930 and 1945 – so I’ve read – and showed films primarily, but also offered live entertainment – probably vaudeville – until it closed in 1974.
Within the last 3 years it has had a remarkable, multi-million dollar re-construction to exactly the way it was in 1930, in the art-deco style and with the stage enlarged with modern stage equipment so as to be able to present touring stage productions.
I moved to Tucson in 1987 so I never saw the Fox when it was active, even in its last days, but when it re-opened I attended a stage production there and also live TV broadcasts direct from Lincoln Center shown on its screen. Now, when you drive through downtown Tucson it’s nice to see the old fashoned marquee with lights on – the way they must have been during that period of long ago.
Richka
Richka
Here’s egg on my face! I should have read Simon L’s posting more carefully. Seached it on IMDB and “D Day the 6th of June” is a movie released in 1956, so that’s what he is referring to.
Ziggy – Of course, any time. Cinema Treasures database gives a list of members. I believe – with email addresses. Or look further on my website and you should find mine. I drive through Gallop occasionally en-route to Santa Fe.
Richard
Richard, thank you very much for your lengthy and informative responses. The web site has some great photos. I’ve always admired Russian culture, not sure why. My background is 100% German, but the two places that have fascinated me the most are Scotland and Russia. Go figure.
Is there a way I can confidentially give you my email? I live in Gallup, N.M. and make the occasional trip to Tucson. It might be pleasant to meet face to face.
Simon L: I don’t mean to sound ignorant, but is “D-Day the 6th of June” the name of a movie?
SimonL. Surely you didn’t mean D Day, 6th of June! That was 1944. Films you mention, i.e., King and I, Bus Stop, etc. played the Roxy in 1956. That must be the year you worked there. Am I right?
Richard
Thanx for your interest Ziggy. To answer your question, I was a dancer – all forms but mainly strenuous Russian, you know, squatting while kicking out legs, leaping and touching toes in air, that sort of thing. Retired from it only 5 years ago. Truly, dancing keeps you young and agile.
Back as a kid, when I first went to Roxy and told the interviewer I was a dancer [i wasn’t, I was only a student]she sent me backstage but I got cold feet as the men who danced with the Roxyettes were all older than I [i was only 16 so underage]and at that time didn’t know tap dancing which was a requirement. Besides being on
the short side. So I was sent to Mr. Levy who was manager of the concession stands. That’s how it started. If you’re interested, my website is www.richka.com It has many links.
Back to the Roxy. I just won a literary competition prize from Theater Historical Society for a long piece I recently wrote about The Roxy and my experiences there. It will soon be published in their quarterly magazine, MARQUEE.
Yes, now semi retired, living in Tucson, Arizona and very involved in cultural events. I’m sure all this is more than you wanted to
know. Thanx for your interest.
Richard
It would be great if someone would list the films by decade that played the Roxy and the number of weeks which was done for the San Francisco Fox, which played many of the same Fox films through the decade.IM still amazed that the Roxy which was a key flagship house in the movie industry went out with very little fanfare and the San Francisco Fox went out with a bang. The Roxy was far more successfull in its lifetime than the SF Fox but both theatres were among the best ever built. brucec
Thanks for sharing Richard. As I think I’ve said before, I’m jealous that you simply got to be there. Now that you’ve opened the issue may I ask what you did when you were a performer, and how is retirement treating you (that is, assuming you’ve retired)?
Hi Ziggy – that’s a very good question. As a 16/17 year old I guess I thought of it mainly as a job. At least better than running a hotel elevator or in a drug store or other things that teenage boys do. I think I was paid $28 a week – ushers got far less. But yes, in a way it was kinda glamourous. Like many of the other boys there at that time, I was taking classes and trying to break into show biz – auditions and such. Now, in my declining years I regret that I didn’t take the opportunity then to investigate the actual theater more as it certainly was a magnificent structure. I did occasionally wander backstage and talked with some of the dancing Roxyettes or their Escorts. Once even ran an errand for Danny Kaye who was a
headliner and also Ima Sumac, an exotic Peruvian singer of the period.
My reaction when it was torn down? I was in Europe at the time so
didn’t notice but I think would have been saddened.
Since that time of long ago I’ve performed in theaters all over the world but the Roxy is still very much fixed in my memory as first humble steps into show biz. Quite honestly, it means much more to me now than it did then.
Thanx for asking.
Richard
SimonL, and Richard Holden; did you two think that it was a privilege to work at the Roxy, or was it just a job? I mean, was there a something special about working at the Roxy, even in the years leading up to its demolition? How did you two react when you learned that the Roxy was going to be torn down?
Another memory. Besides the rotunda concesson stand there was a smaller one in the balcony foyer. Sometimes I worked there as well. The long grand staircase led up to it. Sometimes at peak periods there would be long lines of patrons waiting on this staircase. From my vantage point I could look out a small window to the rotunda below and also see the full curve of the grand staircase. There was one usher I remember who would entertain the waiting crowds with his acrobatic tricks: cartwheeling up and down the grand staircase and finishing with a full split. The waiting patrons always laughed and applauded.
The outer lobby with cashiers was corner of 50th and 7th Ave. Today that lobby is a TGIF restaurant. Somewhere I saw a photo of it including the building behind, built on the spot where the Roxy once stood.
Richard
If you have the time and inclination and go back through these amazing emails you will find one in which I mentioned the films that played there when I was an usher. I began working evenings while going to school. It was the final week of D-Day The Sixth of June with R. Taylor and Emmet Kelly the renowned clown heading the stage show. Business was poor for that run but they knew they had to prepare for big business and took on a lot of help. The King and I ran 8 weeks, then Bus Stop for 6 wks, then Giant for 9 weeks, then Anastasia for 8 weeks. all huge grossers attracting long lines to 6th Avenue during peak hours. Business slipped precipitously soon after. But what a great experience for 95 cents an hour.