The 475-seat Monte Theatre opened its doors on June 21, 1934 with an all-star cast in “Hollywood Party”, along with a Universal Newsreel, a technicolor short “Fine Feathers”, and the Our Gang short “Bedtime Worries”, featuring installations of Simplex projection.
Information about the Monte Theatre as of 1934 goes as follows: The original marquee contains a three-color flashing border. The word “Monte” appears on the front of the sign while on either side in the center appears the letters “MT” in colors, and below it is the attraction title.
The lobby entrance of the theatre is decorated in silver and black, featuring a green and black rubberized tile floor. The ticket window is situated to the left of the main entrance and is also decorated with the same color motif. The foyer is carpeted with a heavy red, yellow, and black modernistic design, and to the right of the foyer in the basement are restrooms for both genders. A separate lavatory for men is situated at the foot of a short flight of stairs, while the women’s lavatory adjoins the lounge. Both lavatories are painted bright red and black, and includes settees and easy chairs for the convenience of patrons. No matter what the temperature is outside, it also contains air conditioners inside the theater as well as the auditorium.
Inside the auditorium featured walls covered with two-tone Nu-wood in tans and browns. Upon entering comes lighting facilities which were five modernistic lights decorated across the ceiling. Each are 9ft6in long and carries three colors of lights from which it is possible to make 27 different color combinations from the switchboard in the operator’s booth. Aside from the glass in the lights were fixtures being manufactured by the proprietors of the theater. They have been the directing head in the erection of the theatre during the previous two months in both April and May 1934. The lights also wall lights that also carry the unusual color combination to be had in the upper lights. The 475 seats in the auditorium are heavily padded leather carrying deep springs. There are three sizes of seats which come with 22in, 20in, and 19in. Lastly, the stage in front of the auditorium is 9ft depth.
The Monte Theatre was first operated by Charles Lambert who had previous theater experiences since he joined the business in 1916.
The Monte Theatre closed for the final time on April 25, 1982 with “Taps” due to the theater failed to gain adult audience. It was last operated by Gerald Peterson of Waverly who was the owner of Peterson Theaters Incorporated. Peterson said in the statement that they were able to get the kids to attend, but not the adults.
The Franklin Theatre opened on July 25, 1946 with Judy Garland in “The Harvey Girls” with no extra short subjects, and closed on April 1, 1968 with Audrey Hepburn in “Wait Until Dark”.
Cocoon didn’t came out until a month, a week, and three days after the Oakridge Center 3 launched their THX system. So I’m pretty sure that rivest266 is right.
Found it! The Adair Drive-In opened its gates on May 21, 1952 with Betty Hutton in “Annie Get Your Gun” along with two cartoons (unlisted on grand opening ad).
It was first owned by F.X. Merkley and Alvin Willis, before being taken over by O.G. Roden a few years later. Roden operated the Adair County Drive-In for a little more than 25 years until his death on May 2, 1983.
Opened on February 6, 1942 with “The Shadow Of The Thin Man” (unknown if short subjects were added). First operated by Mr. Troy Thompson and his son Mr. Robert S. Stevens. Still opened in the 1970s.
Is this the first THX theater in Canada? I know the first THX theaters were in Los Angeles, Dallas, and Orlando, but I’m pretty sure that this could be the first in Canada.
Correction: The Airvue Drive-In opened its gates on May 15, 1951 with Kathryn Grayson in “That Midnight Kiss” with no extra short subjects, not March 13, 1952. This replaced the 4th Street Drive-In which closed a month prior.
March 13, 1952 is the Airvue’s start of its second year of operation.
This autoscope drive-in has two names throughout its short history.
This started life as the “Circle 1 Drive-In” (or Circle One Drive-In). It was named after their company that was formed in January 1971 by Don Bowin, the manager of the Waterloo Theater and former state representative who had previous theater experiences since 1948, known as the Circle One Incorporation.
The Circle One opened its gates on December 9, 1971 with Clint Eastwood’s “Paint Your Wagon” and Barbra Streisand’s “On A Clear Day You Can See Forever”, featuring 120 individual 3x5ft screens in a circle, and closed for the 1971 season way later than usual on January 7, 1972 with “Jenny” and “The Baby Maker”.
At the start of the 1972 season, the theater is renamed “Cinema 360”, and dropped its short-lived “nearly” normal run policy for adult features. However, this didn’t last long at all, not even a single month. The Cinema 360 only operated for five days at the start of the 1972 season, with the only films shown that week are “Vanishing Point” and “The Notorious Cleopatra” (both X-rated features). During its third day of the five-day 1972 season, major disturbances from neighbors began picketing with the theater on April 28, 1972. According to reports saying that neighbors can see immediately see the mature features from the back porch of several homes nearby. Parents had to tell their children to stay away from the porches because of the projection. However, it managed to operate for two more days after it closed for good on April 30.
They started a petition calling for the Cinema 360 either to be restrained from showing anymore adult features or build a high fence around the screens. The management of the theater did not receive any comment after its unexpected closure.
Opened on March 26, 1970 as a twin (with “The Secret Of Santa Vittoria” at Screen 1 and “Marooned” at Screen 2), became a triplex on December 20, 1978, a quad in mid-December 1984, four more added on May 21, 2004 bringing a total to eight, and four more in 2008 bringing a total to 12.
The older Hillcrest Drive-In was located on Hudson Road, not University Avenue (but very close to the intersection of University Avenue and Hudson Road), which now houses a Physical Plant.
The original Hillcrest Drive-In opened its doors on May 4, 1951 with “Blue Grass Of Kentucky” and “Blonde Dynamite” along with an unnamed cartoon and a newsreel, and closed on May 22, 1966 with “The Sandpiper” and “Bunny Lake Is Missing”. At the time, the original Hillcrest had a capacity of 575 cars and a 70x30ft CinemaScope screen.
The “new” Hillcrest Drive-In opened its gates down the street on May 27, 1966 with “The Great Spy Mission” and “36 Hours”, featuring an original car capacity of 775 cars (which later downgraded to 500 throughout time) and a 100x40ft screen.
The Hillcrest closed for the final time on September 3, 2000 with “Dinosaur”, “Gone In 60 Seconds” and “Shanghai Noon” as a triple feature.
What’s really unique is that the marquee sign still operates as advertisements for the Arcadia Theatre right after closure despite the drive-in itself closed after the 1986 season.
The Malco Theatre opened its doors on April 24, 1951 with Rod Cameron in “Oh Susuanna” with no extra short subjects.
Original information about the Malco goes as follows: Some of its original installations as of 1951 include a 15x20ft highly reflective screen, Simplex projection and Super-Sound equipment, and wine upholstery green trimmed International seats, which had an original capacity of 864 seats (with 628 on the main floor and 236 in the balcony). Its original draperies are mist-o-morn green and stage curtains are wine and gold colored. The main floor color scheme is a dusty rose with wine berry trim. The light-green colored lobby featured powder rooms and restrooms for both genders constructed of white tile as well as drinking fountains. A 50-ton Govern-Air system was also installed for the summer months, as well as a Pinnco steam boiler for the winter months. Lastly, there are five emergency exits and as an added safety factor. All exists and aisle lights are wired ahead of a master switch box to provide lights in case of an emergency. The Malco was first operated by Roy Hale who also operated the Paramount Theatre there, also operated by Malco Theatres. The grand opening of the Malco Theatre on April 24, 1951 also cause the closure of the Pastime Theatre and major schedule changes at the Paramount Theatre.
While operated by Gene Boggs after a December 2, 1968 closure, the Malco Theatre reopened as the Crest Theatre on January 8, 1969 with Doris Day in “With Six You Get Eggroll” as a special preview. The film began running the following day.
Throughout most of mid-1975, the Crest Theatre closed due to problems with their cooling system, reopening on October 3, 1975. However, exactly one year later on November 28, 1976, the Crest Theatre closed for the final time as a movie theater.
On February 1, 1994, the theater reopened its doors with its original Malco Theatre name as a live theater.
The Jewel Theatre opened in 1915 and closed in 1927. The building for the Jewel Theatre was located next door to the Saenger Theatre which opened in 1923 with a 900-seat capacity (600 in main auditorium and 300 in balcony) by Mr. B.W. Bickert who also operated the Jewel.
After the neighboring Saenger Theatre closed in 1930, Mrs. B.J. Bruen leased the building to the Publix Theatre Corporation on July 17, 1930 said earlier that morning that nothing had been done toward letting the contract. She said however that representatives of the Publix Theater Corporation would be in Helena within the following days. The bulletin came in question was the building formerly occupied by the Jewel Theater. After the Saenger interests were taken over by the Publix Theater Corporation, the building was condemned by artchitects of the new owners and plans of extensive remodeling were announced featuring new equipment, both to cost in the neighborhood of $75,000. This will eventually call the theater the Paramount Theatre.
The theater reopened its doors as the Paramount Theatre on February 26, 1931 with Nancy Carroll in “Stolen Heaven” along with an educational comedy reel, a musical novelty, and Paramount News.
Information about the Paramount Theatre goes as follows: The lobby and entrance vestibule featured multiple colors on tiles. From the lobby which runs into the entrance to the inner foyer, there were stairways with plenty of room for people, and numerous exits were installed which allow the audience to leave within three minutes after showing. The interior was decorative as “Art Moderne”, with magnificent plastic decorations with deep carpets and tapestries which were hung in all parts of the theater. On the main floor featured smoking and waiting rooms as well. The main auditorium as of 1931 has an original capacity of 800 seats (which were later eventually downgrade to 743 by the end of its operation).
In May 1965, the Paramount Theatre closed for a time following a problem with their air conditioner. And on October 21, 1965, the Paramount Theatre made a major schedule change to only operate on Fridays, Saturdays, and Sundays. At the time, it was operated by Gene Boggs.
The Paramount Theatre closed for the final time in 1969.
The 475-seat Monte Theatre opened its doors on June 21, 1934 with an all-star cast in “Hollywood Party”, along with a Universal Newsreel, a technicolor short “Fine Feathers”, and the Our Gang short “Bedtime Worries”, featuring installations of Simplex projection.
Information about the Monte Theatre as of 1934 goes as follows: The original marquee contains a three-color flashing border. The word “Monte” appears on the front of the sign while on either side in the center appears the letters “MT” in colors, and below it is the attraction title.
The lobby entrance of the theatre is decorated in silver and black, featuring a green and black rubberized tile floor. The ticket window is situated to the left of the main entrance and is also decorated with the same color motif. The foyer is carpeted with a heavy red, yellow, and black modernistic design, and to the right of the foyer in the basement are restrooms for both genders. A separate lavatory for men is situated at the foot of a short flight of stairs, while the women’s lavatory adjoins the lounge. Both lavatories are painted bright red and black, and includes settees and easy chairs for the convenience of patrons. No matter what the temperature is outside, it also contains air conditioners inside the theater as well as the auditorium.
Inside the auditorium featured walls covered with two-tone Nu-wood in tans and browns. Upon entering comes lighting facilities which were five modernistic lights decorated across the ceiling. Each are 9ft6in long and carries three colors of lights from which it is possible to make 27 different color combinations from the switchboard in the operator’s booth. Aside from the glass in the lights were fixtures being manufactured by the proprietors of the theater. They have been the directing head in the erection of the theatre during the previous two months in both April and May 1934. The lights also wall lights that also carry the unusual color combination to be had in the upper lights. The 475 seats in the auditorium are heavily padded leather carrying deep springs. There are three sizes of seats which come with 22in, 20in, and 19in. Lastly, the stage in front of the auditorium is 9ft depth.
The Monte Theatre was first operated by Charles Lambert who had previous theater experiences since he joined the business in 1916.
The Monte Theatre closed for the final time on April 25, 1982 with “Taps” due to the theater failed to gain adult audience. It was last operated by Gerald Peterson of Waverly who was the owner of Peterson Theaters Incorporated. Peterson said in the statement that they were able to get the kids to attend, but not the adults.
Opened in March 1911.
The actual opening date is January 25, 1932.
The Franklin Theatre opened on July 25, 1946 with Judy Garland in “The Harvey Girls” with no extra short subjects, and closed on April 1, 1968 with Audrey Hepburn in “Wait Until Dark”.
Cocoon didn’t came out until a month, a week, and three days after the Oakridge Center 3 launched their THX system. So I’m pretty sure that rivest266 is right.
Found it! The Adair Drive-In opened its gates on May 21, 1952 with Betty Hutton in “Annie Get Your Gun” along with two cartoons (unlisted on grand opening ad).
It was first owned by F.X. Merkley and Alvin Willis, before being taken over by O.G. Roden a few years later. Roden operated the Adair County Drive-In for a little more than 25 years until his death on May 2, 1983.
Its closing date remains unknown at this time.
Opened on February 6, 1942 with “The Shadow Of The Thin Man” (unknown if short subjects were added). First operated by Mr. Troy Thompson and his son Mr. Robert S. Stevens. Still opened in the 1970s.
First known as the Mystic Theatre, renamed Plaza Theatre on October 26, 1940.
Opened on November 3, 1930 with Joe Cook in “Rain or Shine” (unknown if any short subjects were added), featuring installations of RCA sound.
Once known as the State Theatre. It was renamed the Emmaus Theatre on May 23, 1941.
Is this the first THX theater in Canada? I know the first THX theaters were in Los Angeles, Dallas, and Orlando, but I’m pretty sure that this could be the first in Canada.
Correction: The Airvue Drive-In opened its gates on May 15, 1951 with Kathryn Grayson in “That Midnight Kiss” with no extra short subjects, not March 13, 1952. This replaced the 4th Street Drive-In which closed a month prior.
March 13, 1952 is the Airvue’s start of its second year of operation.
This autoscope drive-in has two names throughout its short history.
This started life as the “Circle 1 Drive-In” (or Circle One Drive-In). It was named after their company that was formed in January 1971 by Don Bowin, the manager of the Waterloo Theater and former state representative who had previous theater experiences since 1948, known as the Circle One Incorporation.
The Circle One opened its gates on December 9, 1971 with Clint Eastwood’s “Paint Your Wagon” and Barbra Streisand’s “On A Clear Day You Can See Forever”, featuring 120 individual 3x5ft screens in a circle, and closed for the 1971 season way later than usual on January 7, 1972 with “Jenny” and “The Baby Maker”.
At the start of the 1972 season, the theater is renamed “Cinema 360”, and dropped its short-lived “nearly” normal run policy for adult features. However, this didn’t last long at all, not even a single month. The Cinema 360 only operated for five days at the start of the 1972 season, with the only films shown that week are “Vanishing Point” and “The Notorious Cleopatra” (both X-rated features). During its third day of the five-day 1972 season, major disturbances from neighbors began picketing with the theater on April 28, 1972. According to reports saying that neighbors can see immediately see the mature features from the back porch of several homes nearby. Parents had to tell their children to stay away from the porches because of the projection. However, it managed to operate for two more days after it closed for good on April 30.
They started a petition calling for the Cinema 360 either to be restrained from showing anymore adult features or build a high fence around the screens. The management of the theater did not receive any comment after its unexpected closure.
Opened on March 26, 1970 as a twin (with “The Secret Of Santa Vittoria” at Screen 1 and “Marooned” at Screen 2), became a triplex on December 20, 1978, a quad in mid-December 1984, four more added on May 21, 2004 bringing a total to eight, and four more in 2008 bringing a total to 12.
The older Hillcrest Drive-In was located on Hudson Road, not University Avenue (but very close to the intersection of University Avenue and Hudson Road), which now houses a Physical Plant.
The exact address for the old HIllcrest was located on 3166 Hudson Rd, Cedar Falls, IA 50613
Opened on June 16, 1972 with “Living Free” at Screen 1 and “Cabaret” at Screen 2. The Gamecock closed in late-1993.
Yes its demolished. Forgot to add that.
Google Earth 1995
Correction: The old Hillcrest was located where the Physical Plant is on Hudson Road, next to the intersection of University Avenue.
The original Hillcrest Drive-In opened its doors on May 4, 1951 with “Blue Grass Of Kentucky” and “Blonde Dynamite” along with an unnamed cartoon and a newsreel, and closed on May 22, 1966 with “The Sandpiper” and “Bunny Lake Is Missing”. At the time, the original Hillcrest had a capacity of 575 cars and a 70x30ft CinemaScope screen.
The “new” Hillcrest Drive-In opened its gates down the street on May 27, 1966 with “The Great Spy Mission” and “36 Hours”, featuring an original car capacity of 775 cars (which later downgraded to 500 throughout time) and a 100x40ft screen.
The Hillcrest closed for the final time on September 3, 2000 with “Dinosaur”, “Gone In 60 Seconds” and “Shanghai Noon” as a triple feature.
What’s really unique is that the marquee sign still operates as advertisements for the Arcadia Theatre right after closure despite the drive-in itself closed after the 1986 season.
Opened on October 8, 1938, first managed by George Miller. Closed in late-1961.
The Malco Theatre opened its doors on April 24, 1951 with Rod Cameron in “Oh Susuanna” with no extra short subjects.
Original information about the Malco goes as follows: Some of its original installations as of 1951 include a 15x20ft highly reflective screen, Simplex projection and Super-Sound equipment, and wine upholstery green trimmed International seats, which had an original capacity of 864 seats (with 628 on the main floor and 236 in the balcony). Its original draperies are mist-o-morn green and stage curtains are wine and gold colored. The main floor color scheme is a dusty rose with wine berry trim. The light-green colored lobby featured powder rooms and restrooms for both genders constructed of white tile as well as drinking fountains. A 50-ton Govern-Air system was also installed for the summer months, as well as a Pinnco steam boiler for the winter months. Lastly, there are five emergency exits and as an added safety factor. All exists and aisle lights are wired ahead of a master switch box to provide lights in case of an emergency. The Malco was first operated by Roy Hale who also operated the Paramount Theatre there, also operated by Malco Theatres. The grand opening of the Malco Theatre on April 24, 1951 also cause the closure of the Pastime Theatre and major schedule changes at the Paramount Theatre.
While operated by Gene Boggs after a December 2, 1968 closure, the Malco Theatre reopened as the Crest Theatre on January 8, 1969 with Doris Day in “With Six You Get Eggroll” as a special preview. The film began running the following day.
Throughout most of mid-1975, the Crest Theatre closed due to problems with their cooling system, reopening on October 3, 1975. However, exactly one year later on November 28, 1976, the Crest Theatre closed for the final time as a movie theater.
On February 1, 1994, the theater reopened its doors with its original Malco Theatre name as a live theater.
The Jewel Theatre opened in 1915 and closed in 1927. The building for the Jewel Theatre was located next door to the Saenger Theatre which opened in 1923 with a 900-seat capacity (600 in main auditorium and 300 in balcony) by Mr. B.W. Bickert who also operated the Jewel.
After the neighboring Saenger Theatre closed in 1930, Mrs. B.J. Bruen leased the building to the Publix Theatre Corporation on July 17, 1930 said earlier that morning that nothing had been done toward letting the contract. She said however that representatives of the Publix Theater Corporation would be in Helena within the following days. The bulletin came in question was the building formerly occupied by the Jewel Theater. After the Saenger interests were taken over by the Publix Theater Corporation, the building was condemned by artchitects of the new owners and plans of extensive remodeling were announced featuring new equipment, both to cost in the neighborhood of $75,000. This will eventually call the theater the Paramount Theatre.
The theater reopened its doors as the Paramount Theatre on February 26, 1931 with Nancy Carroll in “Stolen Heaven” along with an educational comedy reel, a musical novelty, and Paramount News.
Information about the Paramount Theatre goes as follows: The lobby and entrance vestibule featured multiple colors on tiles. From the lobby which runs into the entrance to the inner foyer, there were stairways with plenty of room for people, and numerous exits were installed which allow the audience to leave within three minutes after showing. The interior was decorative as “Art Moderne”, with magnificent plastic decorations with deep carpets and tapestries which were hung in all parts of the theater. On the main floor featured smoking and waiting rooms as well. The main auditorium as of 1931 has an original capacity of 800 seats (which were later eventually downgrade to 743 by the end of its operation).
In May 1965, the Paramount Theatre closed for a time following a problem with their air conditioner. And on October 21, 1965, the Paramount Theatre made a major schedule change to only operate on Fridays, Saturdays, and Sundays. At the time, it was operated by Gene Boggs.
The Paramount Theatre closed for the final time in 1969.