Advertising heavily in Brooklyn and NYC newspapers, Brandt intended to change programs only once a week, or at least during the summer season when Coney Island crowds were at their peak. “Daddy Long Legs” reportedly played to 95% of capacity for the week.
100 years ago, Feltman’s Restaurant & Beer Garden was the largest and most popular eatery in Coney Island, world-famous for transforming frankfurters into sizzling “hot dogs.” Feltman’s Airdome was a concession run by William Brandt that occupied space between outdoor dining tables and the ocean boardwalk.
The Hollywood and Downtown Paramounts were joined by the usually sub-run Manchester Theatre for this premiere engagement of United Artists and Monogram releases.
At that time, Skouras had two divisions in Queens, this one covering theatres in the western and North Shore portions of the borough. The other division included the Midway and Forest Hills in Forest Hills, and the Merrick and Jamaica in Jamaica, and was advertised separately.
Presumably, this was a version made for the Spanish-speaking world, but was it the original in English with Spanish sub-titles or the original with dialogue dubbed into Spanish?
Ballet choreographer Florence Rogge’s interpretation of Maurice Ravel’s “Bolero” made such an impact in its debut in February that it was “brought back by popular demand” just four months later. Over the decades “Bolero” returned numerous times, with some modifications along the way.
The Fox melodrama opened belatedly, on a Thursday…In addition to the Music Hall’s resident Symphony Orchestra, the stage revue included a guest appearance by the Concert Band of Columbia University.
“Call of the Wild” was having its first reissue since independent 20th Century Pictures merged with Fox. The original release in 1935 was via United Artists.
What responsible adult would take a child under 12 to see “Pickup on South Street,” even though the price of their ticket would be only 50 cents at all performances?
The MGM release had yet to be shown on home television, but the studio would relent in November, 1956, for color transmission by CBS as the final installment of “Ford Star Jubilee.”
While not an official holiday, “Flag Day” has been an annual observance for patriotic Americans since the adoption of the first United States Flag on June 14th, 1777.
The toilet facilities in the elegant Art-Deco men’s lounge below the Grand Foyer were the setting for host James Corden’s rendition of “Michael in the Bathroom” from the nominated musical score of “Be More Chill.” In the final moments, last year’s co-hosts Josh Groban and Sara Bareilles jumped out from behind closed doors of stalls to join Corden and another former host, Neil Patrick Harris, for a socko conclusion.
The B&W comedy was later remade in widescreen and color as “Walk, Don’t Run,” which failed to get a Music Hall booking despite Cary Grant as star. Discouraged by the disappointing grosses and reviews, Grant decided to retire permanently from movie-making.
Eighty-six years later, this B&W melodrama has never been surpassed in its ability to nauseate anyone sensitive to the idea of cross-breeding humans with animals.
Advertising heavily in Brooklyn and NYC newspapers, Brandt intended to change programs only once a week, or at least during the summer season when Coney Island crowds were at their peak. “Daddy Long Legs” reportedly played to 95% of capacity for the week.
See Feltman’s comment posted here
Shadow of the nail is pointing south towards West 47th Street.
100 years ago, Feltman’s Restaurant & Beer Garden was the largest and most popular eatery in Coney Island, world-famous for transforming frankfurters into sizzling “hot dogs.” Feltman’s Airdome was a concession run by William Brandt that occupied space between outdoor dining tables and the ocean boardwalk.
This proved to be the final summer season for the Roxy, which closed forever in February, 1960 and was promptly reduced to rubble.
The Hollywood and Downtown Paramounts were joined by the usually sub-run Manchester Theatre for this premiere engagement of United Artists and Monogram releases.
Rockville Centre is beyond the reach of the NYC subway system, but did and still has a station of the Long Island Rail Road.
At that time, Skouras had two divisions in Queens, this one covering theatres in the western and North Shore portions of the borough. The other division included the Midway and Forest Hills in Forest Hills, and the Merrick and Jamaica in Jamaica, and was advertised separately.
Presumably, this was a version made for the Spanish-speaking world, but was it the original in English with Spanish sub-titles or the original with dialogue dubbed into Spanish?
Ballet choreographer Florence Rogge’s interpretation of Maurice Ravel’s “Bolero” made such an impact in its debut in February that it was “brought back by popular demand” just four months later. Over the decades “Bolero” returned numerous times, with some modifications along the way.
Numerous exterior and interior views of the current multiplex can be found here
The Fox melodrama opened belatedly, on a Thursday…In addition to the Music Hall’s resident Symphony Orchestra, the stage revue included a guest appearance by the Concert Band of Columbia University.
The original New York roadshow engagement opened almost ten years earlier, at Loew’s State in November, 1959.
Why is “Elmorovivo” unable to post on their own? Is the person no longer a member?
“Call of the Wild” was having its first reissue since independent 20th Century Pictures merged with Fox. The original release in 1935 was via United Artists.
Numerous photos of Lois De Fee can be viewed here
What responsible adult would take a child under 12 to see “Pickup on South Street,” even though the price of their ticket would be only 50 cents at all performances?
The MGM release had yet to be shown on home television, but the studio would relent in November, 1956, for color transmission by CBS as the final installment of “Ford Star Jubilee.”
A video clip of the Tony Awards production number can be viewed here
While not an official holiday, “Flag Day” has been an annual observance for patriotic Americans since the adoption of the first United States Flag on June 14th, 1777.
The toilet facilities in the elegant Art-Deco men’s lounge below the Grand Foyer were the setting for host James Corden’s rendition of “Michael in the Bathroom” from the nominated musical score of “Be More Chill.” In the final moments, last year’s co-hosts Josh Groban and Sara Bareilles jumped out from behind closed doors of stalls to join Corden and another former host, Neil Patrick Harris, for a socko conclusion.
Matinees from Monday through Friday were screen only, with short subjects replacing the Patio’s stage presentations.
The MGM programmer was a rare starring vehicle for the lovable “half-wit” without her cigar-chomping husband, George Burns.
The B&W comedy was later remade in widescreen and color as “Walk, Don’t Run,” which failed to get a Music Hall booking despite Cary Grant as star. Discouraged by the disappointing grosses and reviews, Grant decided to retire permanently from movie-making.
Eighty-six years later, this B&W melodrama has never been surpassed in its ability to nauseate anyone sensitive to the idea of cross-breeding humans with animals.