The Tivoli Theatre is closed, but only the lobby is demolished. And there is finally movement at last to save what is left of it.
From yesterday’s HAMILTON SPECTATOR.
$15m restoration campaign
August 28, 2009
Standing on the stage of the Tivoli Theatre, Belma Gurdil-Diamante closes her eyes to imagine the room filled with visitors from the past.
In one dust-covered seat, she sees the mother of her hairdresser, who came to the theatre to socialize with other Italian immigrants.
A few rows back, she envisions her husband sharing his first kiss.
“There’s so many people that are attached to this place,” says Gurdil-Diamante, rubbing goosebumps on her arms as she looks around the decayed but still opulent auditorium. “I want to bring those people back.”
In a few weeks, the Canadian Ballet Youth Ensemble will launch a $15-million capital campaign to restore the historic theatre, which has sat empty since its partial collapse five years ago.
Gurdil-Diamante, the group’s CEO, is waiting until the launch to reveal how much money has been committed to date, but says she’s confident the project will go ahead.
In the past few weeks, crews have been inside the James Street North theatre, removing mould and asbestos and installing a new electrical panel. The stabilization work, which cost $300,000, is to be funded one-quarter by the city.
Next week a parkette will be built in front of the theatre where part of the building was demolished after the initial collapse.
Once the park is complete, boarding along the street will be removed to allow passersby to see the property.
Wally Lanosky of Copper Cliff Metals and Wrecking Corp., which is doing the demolition work and donating the parkette, suspects the unveiling will be a reminder that the theatre is still standing.
“Everyone thinks the Tivoli is gone,” he said.
Originally built as a carriage factory in the 1870s, the Tivoli was converted to a theatre in 1924.
The ballet company bought the theatre for $1 in 2006 from the Sniderman family of Sam the Record Man fame. Since then, engineers and architects have combed the building, judging its condition and making plans for the future.
Though damaged by time and the elements, the theatre is structurally solid, said Gurdil-Diamante.
As capital donations come in, the ballet company plans to start construction, hopefully in January. Pace Credit Union has agreed to match donations with financing.
The city helped the ballet ensemble prepare an application for federal infrastructure funding, said Ron Marini, the city’s director of downtown and community renewal. He believes the theatre project will be a perfect addition to the arts revival on James North.
“Instead of buildings falling down, we’re starting to see them being reused,” said Marini.
Mayor Fred Eisenberger also sees potential in the project, both for downtown renewal and the arts community. But he notes it won’t be easy raising the needed capital.
“It will be a challenge … (but) certainly not an insurmountable one,” he said. “I think it’s got opportunity written on it.”
In addition to restoring the heritage elements, the ballet company plans to build a new lobby and a backstage in the basement.
The pace of fundraising and the architect’s plan will decide the timeline, but Gurdil-Diamante hopes to be done in two years. Once complete, the theatre would be a multi-use performing venue used by a range of arts groups, she said.
“We want to make sure this place belongs to the community.”
Well looks like the long history of the Century / Lyric is about to come to an end soon. The construction / demolition permits have reportedly been issued… Soon nothing will remain but the exterior walls. Well it almost made it 100 before its end… shame that Hamilton cares so little about its history to see a grand old dame like this left to rot for 20 years.
A classic case of demolition by neglect and the Ontario Heritage designation of its 1940 interior has made no difference whatsoever as far as I can see…
Curtain to rise on new Mayfair
Partners plan ‘state-of-the-art’ upgrades to theatre
Don Butler
Ottawa Citizen
Monday, November 17, 2008
OTTAWA – Facing closing at the end of the month, the Mayfair Theatre has found new life thanks to a self-described “dream team of film-loving investors” with ambitious plans that could even include serving alcohol to film-goers.
The partners – John Yemen, a film scholar and entrepreneur, Paul Gordon, the Mayfair’s current film conservator and part-time projectionist, and filmmakers Lee Demarbre and Ian Driscoll – will announce Tuesday that they have leased the 76-year-old Bank Street cinema for 10 years from its Vancouver owner, Stephen Ng.
The Mayfair will close in December while they refresh the interior and make technical improvements. They plan to reopen with a party and open house on Jan. 2, 2009.
“It’s going to be state of the art by the time we open it,” Mr. Demarbre said in an interview. Among other things, his group plans to install Dolby digital sound and replace the sagging seats. “We want people to be comfortable at the Mayfair,” he said.
Word trickled out in August that Mr. Ng had balked at the cost of needed upgrades and planned to close Ottawa’s oldest surviving movie theatre Nov. 30.
Almost immediately, supporters mobilized to save the theatre, built in 1932. On Oct. 8, city council voted to designate the Mayfair a heritage building, citing its painted ceilings, ornate plaster façades, faux balconies, wrought ironwork and ornamental glass windows.
The heritage designation was key to his group’s ability to lease the theatre, Mr. Demarbre said. “There were apparently people interested in putting condominiums there. We couldn’t compete with that kind of money.”
Despite “big money pressure” for redevelopment on the site, Mr. Demarbre said Mr. Ng is happy the Mayfair will survive. “His desire was to have someone come and run it as a cinema,” he said.
Mr. Demarbre’s group will scrap the Mayfair’s strategy of showing second-run commercial films in favour of more eclectic programming – everything from art house, foreign and Canadian films to midnight screenings and festivals.
The only Ottawa theatre showing similar fare is the Bytowne, a thriving repertory cinema on Rideau Street. “We’d be interested in bringing those types of movies to the south end of Ottawa,” Mr. Demarbre said.
The Bytowne’s owner, Bruce White, is considered the best programmer in Canada, he said. “I don’t think Bruce has anything to worry about from the Mayfair. If anyone can appreciate friendly competition, it’s Bruce White.”
Mr. Demarbre fondly recalls watching Hong Kong filmmaker John Woo’s action classic, The Killer, at the Mayfair. “You’d bring popguns and run up and down the aisle and shoot at each other.”
In recent years, the Mayfair has gotten away from such inspired mayhem, he said. “I’m surprised at the kind of movies they’re showing. It’s very commercial, stuff you can go see at the Rainbow theatre and stuff that’s available on video at almost the same time as it’s playing at the Mayfair. It’s not very inspiring.”
Mr. Demarbre’s group has been inspired by theatres such as the Alamo Drafthouse Cinema in Austin, Texas, and Brewvie’s Cinema Pub in Salt Lake City, Utah. Both serve alcohol with their flicks, something Mr. Demarbre said his group is keen to do.
“If they can do it in Utah,” he said, “we can do it here. We want it to be fun to go to the movie theatre. We’ve got to get people out of their seats.”
Mr. Demarbre and his partners have been trying for years to open a repertory cinema in Ottawa. They approached Mr. Ng about the Mayfair several years ago, “but he didn’t bite,” Mr. Demarbre said.
When the Great Canadian Theatre Company moved into its new building at Wellington and Holland, they tried to acquire its old building on Gladstone. They also looked at a theatre-turned-church and a furniture store in the Westboro area.
Recently, out of frustration, they’ve been showing movies the last Saturday of every month at Club Saw in Arts Court.
None of this was unexpected, since no one knew that the theatre was still intact until after the decision got made to demolish them.. The Starland was just a shell but the Rex/Epic was still a theatre even if it hadn’t been used as such for such a long time.
This is why it so important that we all share information about what still exists, so that hopefully the history can still be saved before it gets to this point..
I myself believe that there is a special part of hell reserved for people who demolish old theatres… You can’t build another one, and once they are gone they are lost forever..
Looks like Miss Cecelia Bartley lived after all.. At least she was still alive three weeks later after the shooting… So it was just a suicide.. Also the gunman was Jack Grubb, 45 of Baltimore, who was the UNDER THE APPLE TREE’S scenic carpenter. There were quite a few murders in Hamilton that month, (including a mobster found on Ridge Road in Stoney Creek)… I was surprised at the lack of coverage
Lastly the shooting happened at 5:40 pm on Friday November 25th, which was between Evening and Matinee performances.. The only person in the audience was an usher, who quickly summoned police from Central Station which was less then a block away… The star of the play was Loring Smith, http://en.wikipedia.org/wiki/Loring_Smith who later had quite a successful career..
Well.. I am glad to hear that the street person is gone.
We used to have a street person back in 1991, who used to urinate under the marquee all the time.. One night we surprised him with a bucket of water… so it stopped finally.
I am surprised at this because the offices of the owners (The Ballet) are in the Federal Building on James Street, just across the Wilson Street, but I guess someone has to tell them what’s going on.
If anyone else notices such abuses, perhaps a message left on their answering machine might do the trick…
Well the building is still standing. Demolition is supposedly still coming. City of Winnipeg is suing the demolition company for botching the Starland’s facade.. See story here… View link
Found out that the Rex theatre was under the control of the Allan Theatre Chain until 1923 when they went under and were bought out by Famous Players
I am guessing that this would be Vija.. Since it was Jon Zemaitis and his then partner Vija that ran the place in the late 80’s early 90’s. I had her in my taxi about a year back.. But I don’t have contact info sadly. A friend of mine in Ottawa was the asst manager in the 1980’s, I’ll ask next time I see him. Hopefully she spots your query.
At last I’ve confirmed a story I’ve long heard about the Lyric Theatre.
There was indeed a murder committed backstage. From the Hamilton Herald November 26, 1921
JEALOUS MAN’S RAGE ENDS IN FATAL SHOOTING – Harry Grubb, actor shot and probably fatally injured Miss Cecilia Bartley, Actress – Turned Gun on Self – He died shortly after – Both were members of Act at the Lyric.
To paraphrase the rest. Harry Grubb, 45 of NYC and Miss Cecilia Bartley, 21 of Chicago were both in a musical comedy act called “Under The Apple Tree”.. He shot her at the stage door, and then marched on stage where the afternoon matinee was in progress and in view of the audience, shot himself twice in the chest killing himself instantly. Miss Bartley was taken to the City (general) Hospital in grave condition, (bullets in chest and head) and was not expected to survive. I need to check out the microfilm newspapers for more details.. Will post more when I get more details…
Be very careful urban spelunkers.. No trespassing signs everywhere, and police station across the street. No power in the building at present either. (No one to hear you scream in the dark – Hey I saw ALIEN at the Century in 1978 – It was the first restricted movie I ever saw – I was 15 at the time, but looked older)…
However, if you do get in, please take lots of pictures of the backstage area and post them somewhere for me.. :–)
I wandered around the outside last weekend myself and took about 50 pictures of the exterior from every angle. Once I find a place to post them I will share them..
The Regent Theatre in Toronto (ex Belsize, ex-Crest) /theaters/7574/ has found life again as a post production house. They mix dolby sound during the day and it still shows movies at night which is a win win situation.It might be a viable opportunity to save the building – or as studio space for a film shoots – lost of square footage.
The building needs to be stabilized though. A new roof (at least at the front), and interior demolition of the front part of the building (2nd and 3rd floors) just to get the doors open again..
BTW last week I saw the images of the 1944 Century Interior at the Ontario Archives, those swirling designs on the side walls were clearly there, they must have been commissioned by Kaplan and Sprachman who did the renovation in 1940.
That’s a question I don’t know the answer to.. How does one update a theatre entry on Cinema Treasures? Even the ones I have submitted myself there doesn’t seem to be a way to edit them as far as I can see…
Delta Theatre building (apartments now) is for sale.
Pizza Pizza operates a phone centre out of what used to be the lobby.
Thanks for this Joe. There were pictures of the interior that I had never seen before.
This theatre has reopened as of July 2009 as a conference centre/banquet hall attached to the Crown Plaza Hotel that is immediately next door.
It was used as the venue for the Hamilton Eco Film Festival
There are also some excellent images of its current condition here
http://www.hamiltonspectator.com/video2/Tivoli/
The Tivoli Theatre is closed, but only the lobby is demolished. And there is finally movement at last to save what is left of it.
From yesterday’s HAMILTON SPECTATOR.
$15m restoration campaign
August 28, 2009
Standing on the stage of the Tivoli Theatre, Belma Gurdil-Diamante closes her eyes to imagine the room filled with visitors from the past.
In one dust-covered seat, she sees the mother of her hairdresser, who came to the theatre to socialize with other Italian immigrants.
A few rows back, she envisions her husband sharing his first kiss.
“There’s so many people that are attached to this place,” says Gurdil-Diamante, rubbing goosebumps on her arms as she looks around the decayed but still opulent auditorium. “I want to bring those people back.”
In a few weeks, the Canadian Ballet Youth Ensemble will launch a $15-million capital campaign to restore the historic theatre, which has sat empty since its partial collapse five years ago.
Gurdil-Diamante, the group’s CEO, is waiting until the launch to reveal how much money has been committed to date, but says she’s confident the project will go ahead.
In the past few weeks, crews have been inside the James Street North theatre, removing mould and asbestos and installing a new electrical panel. The stabilization work, which cost $300,000, is to be funded one-quarter by the city.
Next week a parkette will be built in front of the theatre where part of the building was demolished after the initial collapse.
Once the park is complete, boarding along the street will be removed to allow passersby to see the property.
Wally Lanosky of Copper Cliff Metals and Wrecking Corp., which is doing the demolition work and donating the parkette, suspects the unveiling will be a reminder that the theatre is still standing.
“Everyone thinks the Tivoli is gone,” he said.
Originally built as a carriage factory in the 1870s, the Tivoli was converted to a theatre in 1924.
The ballet company bought the theatre for $1 in 2006 from the Sniderman family of Sam the Record Man fame. Since then, engineers and architects have combed the building, judging its condition and making plans for the future.
Though damaged by time and the elements, the theatre is structurally solid, said Gurdil-Diamante.
As capital donations come in, the ballet company plans to start construction, hopefully in January. Pace Credit Union has agreed to match donations with financing.
The city helped the ballet ensemble prepare an application for federal infrastructure funding, said Ron Marini, the city’s director of downtown and community renewal. He believes the theatre project will be a perfect addition to the arts revival on James North.
“Instead of buildings falling down, we’re starting to see them being reused,” said Marini.
Mayor Fred Eisenberger also sees potential in the project, both for downtown renewal and the arts community. But he notes it won’t be easy raising the needed capital.
“It will be a challenge … (but) certainly not an insurmountable one,” he said. “I think it’s got opportunity written on it.”
In addition to restoring the heritage elements, the ballet company plans to build a new lobby and a backstage in the basement.
The pace of fundraising and the architect’s plan will decide the timeline, but Gurdil-Diamante hopes to be done in two years. Once complete, the theatre would be a multi-use performing venue used by a range of arts groups, she said.
“We want to make sure this place belongs to the community.”
Well looks like the long history of the Century / Lyric is about to come to an end soon. The construction / demolition permits have reportedly been issued… Soon nothing will remain but the exterior walls. Well it almost made it 100 before its end… shame that Hamilton cares so little about its history to see a grand old dame like this left to rot for 20 years.
A classic case of demolition by neglect and the Ontario Heritage designation of its 1940 interior has made no difference whatsoever as far as I can see…
A great article with the buildings history is here.
View link
Finally some happy news to report!
This theatre is to be preserved and will reopen as a performing arts centre.
info is here. View link
Brian
Good news! Looks like the Mayfair will survive as a cinema after all.
Info is here.
View link
Curtain to rise on new Mayfair
Partners plan ‘state-of-the-art’ upgrades to theatre
Don Butler
Ottawa Citizen
Monday, November 17, 2008
OTTAWA – Facing closing at the end of the month, the Mayfair Theatre has found new life thanks to a self-described “dream team of film-loving investors” with ambitious plans that could even include serving alcohol to film-goers.
The partners – John Yemen, a film scholar and entrepreneur, Paul Gordon, the Mayfair’s current film conservator and part-time projectionist, and filmmakers Lee Demarbre and Ian Driscoll – will announce Tuesday that they have leased the 76-year-old Bank Street cinema for 10 years from its Vancouver owner, Stephen Ng.
The Mayfair will close in December while they refresh the interior and make technical improvements. They plan to reopen with a party and open house on Jan. 2, 2009.
“It’s going to be state of the art by the time we open it,” Mr. Demarbre said in an interview. Among other things, his group plans to install Dolby digital sound and replace the sagging seats. “We want people to be comfortable at the Mayfair,” he said.
Word trickled out in August that Mr. Ng had balked at the cost of needed upgrades and planned to close Ottawa’s oldest surviving movie theatre Nov. 30.
Almost immediately, supporters mobilized to save the theatre, built in 1932. On Oct. 8, city council voted to designate the Mayfair a heritage building, citing its painted ceilings, ornate plaster façades, faux balconies, wrought ironwork and ornamental glass windows.
The heritage designation was key to his group’s ability to lease the theatre, Mr. Demarbre said. “There were apparently people interested in putting condominiums there. We couldn’t compete with that kind of money.”
Despite “big money pressure” for redevelopment on the site, Mr. Demarbre said Mr. Ng is happy the Mayfair will survive. “His desire was to have someone come and run it as a cinema,” he said.
Mr. Demarbre’s group will scrap the Mayfair’s strategy of showing second-run commercial films in favour of more eclectic programming – everything from art house, foreign and Canadian films to midnight screenings and festivals.
The only Ottawa theatre showing similar fare is the Bytowne, a thriving repertory cinema on Rideau Street. “We’d be interested in bringing those types of movies to the south end of Ottawa,” Mr. Demarbre said.
The Bytowne’s owner, Bruce White, is considered the best programmer in Canada, he said. “I don’t think Bruce has anything to worry about from the Mayfair. If anyone can appreciate friendly competition, it’s Bruce White.”
Mr. Demarbre fondly recalls watching Hong Kong filmmaker John Woo’s action classic, The Killer, at the Mayfair. “You’d bring popguns and run up and down the aisle and shoot at each other.”
In recent years, the Mayfair has gotten away from such inspired mayhem, he said. “I’m surprised at the kind of movies they’re showing. It’s very commercial, stuff you can go see at the Rainbow theatre and stuff that’s available on video at almost the same time as it’s playing at the Mayfair. It’s not very inspiring.”
Mr. Demarbre’s group has been inspired by theatres such as the Alamo Drafthouse Cinema in Austin, Texas, and Brewvie’s Cinema Pub in Salt Lake City, Utah. Both serve alcohol with their flicks, something Mr. Demarbre said his group is keen to do.
“If they can do it in Utah,” he said, “we can do it here. We want it to be fun to go to the movie theatre. We’ve got to get people out of their seats.”
Mr. Demarbre and his partners have been trying for years to open a repertory cinema in Ottawa. They approached Mr. Ng about the Mayfair several years ago, “but he didn’t bite,” Mr. Demarbre said.
When the Great Canadian Theatre Company moved into its new building at Wellington and Holland, they tried to acquire its old building on Gladstone. They also looked at a theatre-turned-church and a furniture store in the Westboro area.
Recently, out of frustration, they’ve been showing movies the last Saturday of every month at Club Saw in Arts Court.
Here is the heritage designation for this theatre from the city of Ottawa website.
View link
There are also some excellent pictures of the interior. It is an example of a Spanish Morrocan style “atmospheric”..
Some articles about the situation… first one
View link
and
View link
The second one says that at least the city has slapped a heritage designation on the interior.
Still this sonds like it may be at serious risk…
And here is a modern view
View link
There is a vintage image of this theatre here.
View link
Some amazing recent (Nov 2007) pictures of the theatre are here..
View link
Looks in far better shape then I would have thought…
If only I had the $550,000…
None of this was unexpected, since no one knew that the theatre was still intact until after the decision got made to demolish them.. The Starland was just a shell but the Rex/Epic was still a theatre even if it hadn’t been used as such for such a long time.
This is why it so important that we all share information about what still exists, so that hopefully the history can still be saved before it gets to this point..
I myself believe that there is a special part of hell reserved for people who demolish old theatres… You can’t build another one, and once they are gone they are lost forever..
Well good news…
Some errors in what I posted above…
Looks like Miss Cecelia Bartley lived after all.. At least she was still alive three weeks later after the shooting… So it was just a suicide.. Also the gunman was Jack Grubb, 45 of Baltimore, who was the UNDER THE APPLE TREE’S scenic carpenter. There were quite a few murders in Hamilton that month, (including a mobster found on Ridge Road in Stoney Creek)… I was surprised at the lack of coverage
Lastly the shooting happened at 5:40 pm on Friday November 25th, which was between Evening and Matinee performances.. The only person in the audience was an usher, who quickly summoned police from Central Station which was less then a block away… The star of the play was Loring Smith, http://en.wikipedia.org/wiki/Loring_Smith who later had quite a successful career..
Well.. I am glad to hear that the street person is gone.
We used to have a street person back in 1991, who used to urinate under the marquee all the time.. One night we surprised him with a bucket of water… so it stopped finally.
I am surprised at this because the offices of the owners (The Ballet) are in the Federal Building on James Street, just across the Wilson Street, but I guess someone has to tell them what’s going on.
If anyone else notices such abuses, perhaps a message left on their answering machine might do the trick…
Well the building is still standing. Demolition is supposedly still coming. City of Winnipeg is suing the demolition company for botching the Starland’s facade.. See story here…
View link
Found out that the Rex theatre was under the control of the Allan Theatre Chain until 1923 when they went under and were bought out by Famous Players
Jeffery:
I am guessing that this would be Vija.. Since it was Jon Zemaitis and his then partner Vija that ran the place in the late 80’s early 90’s. I had her in my taxi about a year back.. But I don’t have contact info sadly. A friend of mine in Ottawa was the asst manager in the 1980’s, I’ll ask next time I see him. Hopefully she spots your query.
At last I’ve confirmed a story I’ve long heard about the Lyric Theatre.
There was indeed a murder committed backstage. From the Hamilton Herald November 26, 1921
JEALOUS MAN’S RAGE ENDS IN FATAL SHOOTING – Harry Grubb, actor shot and probably fatally injured Miss Cecilia Bartley, Actress – Turned Gun on Self – He died shortly after – Both were members of Act at the Lyric.
To paraphrase the rest. Harry Grubb, 45 of NYC and Miss Cecilia Bartley, 21 of Chicago were both in a musical comedy act called “Under The Apple Tree”.. He shot her at the stage door, and then marched on stage where the afternoon matinee was in progress and in view of the audience, shot himself twice in the chest killing himself instantly. Miss Bartley was taken to the City (general) Hospital in grave condition, (bullets in chest and head) and was not expected to survive. I need to check out the microfilm newspapers for more details.. Will post more when I get more details…
Be very careful urban spelunkers.. No trespassing signs everywhere, and police station across the street. No power in the building at present either. (No one to hear you scream in the dark – Hey I saw ALIEN at the Century in 1978 – It was the first restricted movie I ever saw – I was 15 at the time, but looked older)…
However, if you do get in, please take lots of pictures of the backstage area and post them somewhere for me.. :–)
I wandered around the outside last weekend myself and took about 50 pictures of the exterior from every angle. Once I find a place to post them I will share them..
The Regent Theatre in Toronto (ex Belsize, ex-Crest) /theaters/7574/ has found life again as a post production house. They mix dolby sound during the day and it still shows movies at night which is a win win situation.It might be a viable opportunity to save the building – or as studio space for a film shoots – lost of square footage.
The building needs to be stabilized though. A new roof (at least at the front), and interior demolition of the front part of the building (2nd and 3rd floors) just to get the doors open again..
BTW last week I saw the images of the 1944 Century Interior at the Ontario Archives, those swirling designs on the side walls were clearly there, they must have been commissioned by Kaplan and Sprachman who did the renovation in 1940.
That’s a question I don’t know the answer to.. How does one update a theatre entry on Cinema Treasures? Even the ones I have submitted myself there doesn’t seem to be a way to edit them as far as I can see…
I walked around the exterior of the Tivoli theatre today. She looks in good shape from an outside anyway.
Demolition began today… very sad the whole business.