No, that can’t be, William. The Paramount with its renovated facade and nothing else) is further up on Washington Street. The Publix was diagonally across from the Center. I believe it was originally called the Gayety and is still there in decrepitude. The cinematour.com site (q.v.) seems to confirm this. I have seen movies at both the Publix and the Paramount in past decades and they are not the same theatre.
The Strand was built in 1915, was twinned in 1975, ran porno movies for a time, showed its last films (adult) in May, 1978. A fine article on the history of the Strand, with excellent archival photos, appeared in the Providence Journal, August 20, 1978.
The theatre was built in the 1920s, closed in 1959. The address is 164 Taunton Avenue. It was originally called the Bomes Theatre,and there is a sign to that effect in the cement facade. Some real trivia: in 1935 the “Swedish film comedy success” PETTERSON SVERIGE was shown. In 1937 SWEDEN – LAND OF THE VIKINGS and SHARGARD’S FLIRT. The theatre was probably rented to show ethnic films: Swedish, Portuguese, perhaps others.
The 586-seat theatre opened on September 13, 1948 and was the first of the post-war movie houses constructed in Manhattan. The first five films shown were LA SYMPHONIE PASTORALE (34 weeks), DEVIL IN THE FLESH (36 weeks), then in 1950 Bresson’s LES ANGES DU PECHE (2 weeks) the original French GIGI (7 weeks), Clement’s THE WALLS OF MALAPAGA (10 ½ weeks). Films that ran for a year or more (up to 1989, according to Variety Magazine, February 22-28,1989) were Germi’s DIVORCE-ITALIAN STYLE; Lelouch’s A MAN AND A WOMAN, Zeffirelli’s ROMEO AND JULIET.
The Village Voice, in a June 20, 1989 article on lower Manhattan theatres ,lists the Bleecker main auditorium as seating 200 and the James Agee room as holding 78.
According to their 1990 100-year souvenir program book (i.e. 100 years since Brattle Hall had opened) the first film shown when they became a cinema in 1953 was the German THE CAPTAIN FROM KOPENICK.
I remember seeing some terrific or terrifically interesting movies here over the years. Among the first I saw in the theatre’s opening years were Antonioni’s ZABRISKIE POINT, with the doomed star Mark Frechette meeting patrons in the lobby before the evening show, Pasolini’s THE GOSPEL ACCORDING TO SAINT MATTHEW, Rossif’s TO DIE IN MADRID, Loren and Mastroianni in De Sica’s YESTERDAY, TODAY AND TOMORROW. It was a comfortable roomy place.
My strongest memory of the Gary is when I came up from Providence in 1961 to see Federico Fellini’s “scandalous” LA DOLCE VITA, which was premiering there at that time.
The exact address for this theatre is 1 Beacon Street, which becomes Tremont Street at that point. The theatre was still operating in the early 90s and by that time it contained three auditoriums in its beneath-street-level location.
I remember seeing Cukor’s MY FAIR LADY here in the 1960s when it was the Saxon Theatre and part of the Sack chain. I just paid a visit the other day for Opera Boston’s production of “Nixon in China” by John Adams, and the magnificently restored theatre was a wonder to behold indeed, utterly breathtaking. Perhaps Emerson College could rescue all the endangered entertainment palaces of America!
In the mid-60’s I went to a special Gloria Swanson evening at the Beacon. The diva herself was on hand to introduce the silent QUEEN KELLY, including outtakes that were in her personal collection. Also shown was her early talkie THE TRESPASSER. What a great and memorable evening in a great and beautiful theatre! I still have photos I took of Swanson.
The Apollo 42nd Street was much more than a “grind run” house. Perhaps the term “grind run art house” would be more accurate. For decades it ran double bills of recent and older foreign-language films. Sometimes movies that didn’t get an opening in an art house “of class” found their way here. Films shelved by distributors occasionally got aired here. The premiere of Franco Rossi’s wonderful THE WOMAN IN THE PAINTING (“Friends for Life”) took place here in 1959 and was reviewed by the New York Times. I remember walking by the theatre in the 60s and noticing a revival double bill was playing of Rossellini’s WOMAN along with Vittorio Gassman in SHAMED. I am a lover of Italian films, but I had to leave the city and could not stay to see this program of revived Italian rarities. WOMAN was really “Desiderio”; SHAMED was “Preludio d'amore.” I have since seen DESIDERIO, but never PRELUDIO D'AMORE. Damn! But, the point is, the Apollo 42nd Street showed stuff like this and much more…and they were open about 20 hours per day.
In the 40s and 50s as the World Theatre, this place introduced to American audiences great works of the Italian neo-realist cinema, such as Rossellini’s OPEN CITY (which ran over a year) and PAISAN, De Sica’s THE BICYCLE THIEF and MIRACLE IN MILAN, Zampa’s TO LIVE IN PEACE. Going back to the pre-war years, Max Ophuls' stylish LA SIGNORA DI TUTTI played here in 1936.
I remember August, 1949, as a child of seven, being taken by my older sister to see a revival showing of the movie THE WIZARD OF OZ, which I was seeing for the first time. We went to a matinee. Admission was 60 cents till 5 PM, children 35 cents at all times. Before the film we saw a live stage performance by singer Frankie Laine…including the song “Mule Train.” Also performing were Artie Dawn, Four Step Brothers, The Four Macks, and Connie Haines. The Journal ad said “Loew’s State Brings You the Gayest State & Screen Combination Show!” The movie was one of the first I had ever seen. I remember the theatre as being packed and just extremely exciting.
I fell in love with the movie and with the theatre itself. It is one of my most vivid childhood memories.
In 1954 I saw GONE WITH THE WIND here for the first time at a revival showing. 11 A.M admission was 25 cents.
Oh yes, this theatre was and remains the most beautiful entertainment palace in the state of Rhode Island.
It was the kind of grind-run movie theatre (cheap, tacky, dingy, wino-populated) that we used to call a “scratch house.” And yet, snobbery aside, what a film education you could get by going there…so many movies, new and old…in constant turnover. A poor man’s cinematheque. Nothing like it exists any more.
As a child in the 1940’s I was taken to see some of my first movies ever in this paradise lost: SONG OF THE SOUTH, JOAN OF ARC (uncut version), and CINDERELLA in 1950.
Yes, but this is the WARWICK CINEMA, on Post Road, not the Warwick Mall Cinemas…which I will have to add right now. I live not far from where each one was, and went many times to each.
No, it was called the OLYMPIA, as in my original posting. The name OLYMPIA still appears spelled on the mosaic tiling on the walkway in front of the theatre entrance. I took a photo and just checked it to be sure.
Yes, I indicated that in giving other names to the theatre, but that didn’t show in the posting. As a young film nut, I went to the Art Cinema frequently and saw pictures here like THE MIRACLE OF MARCELINO, RIFIFI, THE STONE FLOWER, JAMES JOYCE’S ULYSSES, numerous Ingmar Bergman films in series they would run, even a revival of Griffith’s THE BIRTH OF A NATION. They even showed rarely screened films like Rossellini’s STRANGERS (VIAGGIO IN ITALIA), Malaparte’s STRANGE DECEPTION, Germi’s MADEMOISELLE GOBETTE. The theatre may have had some agreement with Art Film Booking Service, because they seemed to show everything in that distributors vault of interesting but commercially unviable esoterica.
A reproduction of a flyer from a book I have on silent Italian cinema has a film called NAPOLI CHE CANTA or WHEN NAPLES SINGS playing at the Belmont Theatre, 123 W. 48th Street, called “The Only Italian Motion Picture House on Broadway.” This is the Cines-Pittaluga version made in 1926 but released in the U.S. in the early 30’s, probably with music and songs added to create a sound track. No dates are given on the flyer. According to Variety Magazine, the first actual Italian sound film, LA CANZONE DELL'AMORE, played at the Belmont in March, 1931.
The subtitled version of Vittorio De Sica’s delightful MARRIAGE, ITALIAN STYLE, with Sophia Loren and Marcello Mastroianni, began a nice run here in January, 1965.
I didn’t see any publicity for it when I was there last summer. Perhaps I err.
No, that can’t be, William. The Paramount with its renovated facade and nothing else) is further up on Washington Street. The Publix was diagonally across from the Center. I believe it was originally called the Gayety and is still there in decrepitude. The cinematour.com site (q.v.) seems to confirm this. I have seen movies at both the Publix and the Paramount in past decades and they are not the same theatre.
The Strand was built in 1915, was twinned in 1975, ran porno movies for a time, showed its last films (adult) in May, 1978. A fine article on the history of the Strand, with excellent archival photos, appeared in the Providence Journal, August 20, 1978.
The theatre was built in the 1920s, closed in 1959. The address is 164 Taunton Avenue. It was originally called the Bomes Theatre,and there is a sign to that effect in the cement facade. Some real trivia: in 1935 the “Swedish film comedy success” PETTERSON SVERIGE was shown. In 1937 SWEDEN – LAND OF THE VIKINGS and SHARGARD’S FLIRT. The theatre was probably rented to show ethnic films: Swedish, Portuguese, perhaps others.
The 586-seat theatre opened on September 13, 1948 and was the first of the post-war movie houses constructed in Manhattan. The first five films shown were LA SYMPHONIE PASTORALE (34 weeks), DEVIL IN THE FLESH (36 weeks), then in 1950 Bresson’s LES ANGES DU PECHE (2 weeks) the original French GIGI (7 weeks), Clement’s THE WALLS OF MALAPAGA (10 ½ weeks). Films that ran for a year or more (up to 1989, according to Variety Magazine, February 22-28,1989) were Germi’s DIVORCE-ITALIAN STYLE; Lelouch’s A MAN AND A WOMAN, Zeffirelli’s ROMEO AND JULIET.
The Village Voice, in a June 20, 1989 article on lower Manhattan theatres ,lists the Bleecker main auditorium as seating 200 and the James Agee room as holding 78.
According to their 1990 100-year souvenir program book (i.e. 100 years since Brattle Hall had opened) the first film shown when they became a cinema in 1953 was the German THE CAPTAIN FROM KOPENICK.
I remember seeing some terrific or terrifically interesting movies here over the years. Among the first I saw in the theatre’s opening years were Antonioni’s ZABRISKIE POINT, with the doomed star Mark Frechette meeting patrons in the lobby before the evening show, Pasolini’s THE GOSPEL ACCORDING TO SAINT MATTHEW, Rossif’s TO DIE IN MADRID, Loren and Mastroianni in De Sica’s YESTERDAY, TODAY AND TOMORROW. It was a comfortable roomy place.
The theatre opened in 1917 with vaudeville as well as movies.
The Carlton was demolished in 1954 to create a parking lot.
My strongest memory of the Gary is when I came up from Providence in 1961 to see Federico Fellini’s “scandalous” LA DOLCE VITA, which was premiering there at that time.
The exact address for this theatre is 1 Beacon Street, which becomes Tremont Street at that point. The theatre was still operating in the early 90s and by that time it contained three auditoriums in its beneath-street-level location.
I remember seeing Cukor’s MY FAIR LADY here in the 1960s when it was the Saxon Theatre and part of the Sack chain. I just paid a visit the other day for Opera Boston’s production of “Nixon in China” by John Adams, and the magnificently restored theatre was a wonder to behold indeed, utterly breathtaking. Perhaps Emerson College could rescue all the endangered entertainment palaces of America!
In the mid-60’s I went to a special Gloria Swanson evening at the Beacon. The diva herself was on hand to introduce the silent QUEEN KELLY, including outtakes that were in her personal collection. Also shown was her early talkie THE TRESPASSER. What a great and memorable evening in a great and beautiful theatre! I still have photos I took of Swanson.
The Apollo 42nd Street was much more than a “grind run” house. Perhaps the term “grind run art house” would be more accurate. For decades it ran double bills of recent and older foreign-language films. Sometimes movies that didn’t get an opening in an art house “of class” found their way here. Films shelved by distributors occasionally got aired here. The premiere of Franco Rossi’s wonderful THE WOMAN IN THE PAINTING (“Friends for Life”) took place here in 1959 and was reviewed by the New York Times. I remember walking by the theatre in the 60s and noticing a revival double bill was playing of Rossellini’s WOMAN along with Vittorio Gassman in SHAMED. I am a lover of Italian films, but I had to leave the city and could not stay to see this program of revived Italian rarities. WOMAN was really “Desiderio”; SHAMED was “Preludio d'amore.” I have since seen DESIDERIO, but never PRELUDIO D'AMORE. Damn! But, the point is, the Apollo 42nd Street showed stuff like this and much more…and they were open about 20 hours per day.
In the 40s and 50s as the World Theatre, this place introduced to American audiences great works of the Italian neo-realist cinema, such as Rossellini’s OPEN CITY (which ran over a year) and PAISAN, De Sica’s THE BICYCLE THIEF and MIRACLE IN MILAN, Zampa’s TO LIVE IN PEACE. Going back to the pre-war years, Max Ophuls' stylish LA SIGNORA DI TUTTI played here in 1936.
I remember August, 1949, as a child of seven, being taken by my older sister to see a revival showing of the movie THE WIZARD OF OZ, which I was seeing for the first time. We went to a matinee. Admission was 60 cents till 5 PM, children 35 cents at all times. Before the film we saw a live stage performance by singer Frankie Laine…including the song “Mule Train.” Also performing were Artie Dawn, Four Step Brothers, The Four Macks, and Connie Haines. The Journal ad said “Loew’s State Brings You the Gayest State & Screen Combination Show!” The movie was one of the first I had ever seen. I remember the theatre as being packed and just extremely exciting.
I fell in love with the movie and with the theatre itself. It is one of my most vivid childhood memories.
In 1954 I saw GONE WITH THE WIND here for the first time at a revival showing. 11 A.M admission was 25 cents.
Oh yes, this theatre was and remains the most beautiful entertainment palace in the state of Rhode Island.
It was the kind of grind-run movie theatre (cheap, tacky, dingy, wino-populated) that we used to call a “scratch house.” And yet, snobbery aside, what a film education you could get by going there…so many movies, new and old…in constant turnover. A poor man’s cinematheque. Nothing like it exists any more.
As a child in the 1940’s I was taken to see some of my first movies ever in this paradise lost: SONG OF THE SOUTH, JOAN OF ARC (uncut version), and CINDERELLA in 1950.
Yes, but this is the WARWICK CINEMA, on Post Road, not the Warwick Mall Cinemas…which I will have to add right now. I live not far from where each one was, and went many times to each.
No, it was called the OLYMPIA, as in my original posting. The name OLYMPIA still appears spelled on the mosaic tiling on the walkway in front of the theatre entrance. I took a photo and just checked it to be sure.
Yes, I indicated that in giving other names to the theatre, but that didn’t show in the posting. As a young film nut, I went to the Art Cinema frequently and saw pictures here like THE MIRACLE OF MARCELINO, RIFIFI, THE STONE FLOWER, JAMES JOYCE’S ULYSSES, numerous Ingmar Bergman films in series they would run, even a revival of Griffith’s THE BIRTH OF A NATION. They even showed rarely screened films like Rossellini’s STRANGERS (VIAGGIO IN ITALIA), Malaparte’s STRANGE DECEPTION, Germi’s MADEMOISELLE GOBETTE. The theatre may have had some agreement with Art Film Booking Service, because they seemed to show everything in that distributors vault of interesting but commercially unviable esoterica.
A reproduction of a flyer from a book I have on silent Italian cinema has a film called NAPOLI CHE CANTA or WHEN NAPLES SINGS playing at the Belmont Theatre, 123 W. 48th Street, called “The Only Italian Motion Picture House on Broadway.” This is the Cines-Pittaluga version made in 1926 but released in the U.S. in the early 30’s, probably with music and songs added to create a sound track. No dates are given on the flyer. According to Variety Magazine, the first actual Italian sound film, LA CANZONE DELL'AMORE, played at the Belmont in March, 1931.
The subtitled version of Vittorio De Sica’s delightful MARRIAGE, ITALIAN STYLE, with Sophia Loren and Marcello Mastroianni, began a nice run here in January, 1965.
They also in their time premiered such honorable films as Cocteau’s ORPHEUS, Fellini’s I VITELLONI, Rossellini’s THE FLOWERS OF SAINT FRANCIS.