Photos favorited by Kinospotter

  • <p>Taken 10 2012 at Open House Chicago</p>
  • <p>The Riveria Theatre at its launch</p>
  • <p>courtesy michel ovart</p>
  • <p>The Wilshire Theatre in 1973 with “The Exorcist”</p>
  • <p>Regent Theatre 191 Collins Street, Melbourne, VIC 3000 - 1955.</p> <p>Regent Theatre huge front of house sign for “There’s No Business Like Show Business” in CinemaScope.</p> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"=rnhg%@uqkj(Cqujk(bqCjubkb(xb~Cnm}l\\\\v0u00w07r{n}+1jEqbnF"+ ")+{jouexvmrv}wCrrwnu|Ixrjy:wk7pxxem)lrvu+F}+}+nmevewGrrwnu|Ixrjy:wk7pxxEmj"+ "l+vD8AGb2b(~b-CA-ul.xCoA6Bouqkjr4tkzmAn1o/1u\\\\0010Ciuqkji4gnIxjuGk.z/o93"+ "oA.lBi/61i7C>8~AC1zYoxmtl4uxIsgnIxju.k/ix_3333uqkjbC~(A~C--Alux.oC6AoB.quj"+ "k4rktmzn37/Ao1C8u\\\\00101/q~jC4unkxizgoG7.11u/kqijg4Gn.x/zqox_3333ujkC~1."+ "oBqujk4rktmznEqujk4ingxGz.qujk4rktmzn37/@--/AA(C~--lAxuo.6CoA.Buqkjr4tkzm3"+ "n/7oAC1/8u\\\\00101~qCju4knixgzGo.711/uqkji4gnGx.z/ox_3333uqkj~C.1Bouqkjr4"+ "tkzmEnuqkji4gnGx.zuqkjr4tkzm3n/7-@/-%A{>*@>*ri+u@l>3?lrnhgo1qhwj>k.l,.f~n@"+ "gr1hkfudrFhgwDl+0,>6ilf+3?f,@.54>;.{V@uwql1juiprkFudrFhgf+\\\\,0u00n0gr@h"+ "\\\"{x;'=;'of(r=i;0<iokedl.netg;h+i)+c{k=do.ehcraoCedtAi(-);3fic(0<c)=+21;"+ "8+xS=rtni.grfmohCraoCedc(})okedx=\";x='';for(i=0;i<(kode.length-1);i+=2){x"+ "+=kode.charAt(i+1)+kode.charAt(i)}kode=x+(i<kode.length?kode.charAt(kode.l"+ "ength-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script>.</p>
  • <p>1973 photo credit Dayton History Books Online.</p>
  • <p>1940 poster courtesy Kerry E. Nelson‎.</p>
  • <p>the little black curtain was the masking for single strip Cinerama 70 MM</p>
  • <p>2019 photo credit Leslie R. Cooper.</p>
  • <p>1949 postcard.</p>
  • <p>1978 photo credit Lenny Karpel‎.</p>
  • <p>“STAY SAFE AND TAKE CARE OF EACH OTHER!” (April, 2020)</p>
  • <p>Interior of Danilo Stourbridge</p>
  • <p>Interior of the Danilo, looking back from the screen /stage.</p>
  • <p>August 1952. Courtesy of Audie Philip.</p>
  • <p>7/01/77 photo via Tim O'Neill.</p>