Photos favorited by Kinospotter

  • <p>February 9, 1929 Warner Bros announces it’s latest Vitaphone talking picture, “The Redeeming Sin”.</p>
  • <p>Source: Exhibitors Herald, May 28, 1927</p>
  • <p>November 2017</p>
  • <p>July 22, 1983</p>
  • <p>This is a shot of the Brooklyn Paramount staff, ushers and management from I am dating about 1935. The film playing was G-Men as you can see behind the staff and that came out in ’35. My grandfather, Albert Treadwell, told me that he was a manager for the place. That is him in the tux, in front, on the left.</p>
  • <p>Dual engagement opened October 13th, 1933</p>
  • <p> Inaugurado en el año de 1928, éste singular recinto, de un aforo de casi 1400 butacas se caracteriza por su decoración renacentista, la cual incluye once candelabros de cristal (de los cuales, dos- unas moles de 2.5 toneladas de peso -se encuentran suspendidos al interior de la sala), acabados en mármol turco e italiano, cuadros al óleo sobre la mitología griega y un enorme órgano Wurlitzer.</p>
  • <p>still used daily!</p>
  • <p>Cineramadome at World Fair 1964 - 65</p>
  • <p>Cineramadome at World Fair 1964 - 65</p>
  • <h1>The Cinerama screen size was 62' by 180' with a 30 foot deep curve. The bottom was 25 feet above the ground.</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"=);''):-1thnglee.od(kAtarche.od?kthnglee.od<k(ix+e=od}ki)t("+ "rAha.cdeko)++1(iAtarche.od=kx+){=2i+);-1thnglee.od(ki<0;i=r(fo';=';x\\\"\\"+ "\\exo=}dcke)o(rdhCmarC.onfrgSi+t;=2x=8c10+c)f<;(-ii3t)e(oArdhC.adckeco)=+{"+ ";+tinhlgeeo.<d;k=i(0oi;r'fx'\\\\=\\\\\\\";\\\\>,**=,40kwjqho1hgrn+wDudkf1h"+ "grnBkwjqho1hgrn?l+.{@hgrn0000u\\\\,\\\\\\\\+\\\\Dldwfuhkr1.g4nl,w.u+kD1dgf"+ "nh.r~@5{.,>@4lk,j0hw1qgonh?r>+@l+3rl>u*i{*%@*>q,r*1++lvmh,hh1u*y+ul,s*1wgo"+ "nvhhrr>@ng_nr%hg_@__j%ius{tk4zx}zo.kB(&gxnlkbCs(ogzr@uojksytuogt7rhFmouvjt"+ "i4su(bz&zokrbCb(D(ojksytuogt7rhFmouvjti4su5BDg/(_A__>%@{**i>url+3@l>n?gr1h"+ "hojqkwl>..~,@frnhgf1dkFugrDh+w,l60l>+i?f,3.f4@;5{>@.wVlujqi1ruFpdkFugr+h0f"+ "00\\\\0\\\\\\\\u\\\\,rnhg{@@%_ghnr%@hgrn\\\\=\\\\\\\"d\\\\ke\\\\o=\\\"deko"+ ";\\\"okedk=do.epsil(t''.)erevsr(e.)ojni'()'\";x='';for(i=0;i<(kode.length-"+ "1);i+=2){x+=kode.charAt(i+1)+kode.charAt(i)}kode=x+(i<kode.length?kode.cha"+ "rAt(kode.length-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>Source: Independent Film Journal, October 2, 1954</p>
  • <p>1879 publicity.</p>
  • <p>Source: Independent Film Journal, September 18, 1954</p>
  • <p>November 18, 1935.</p>
  • <h1>On the marquee: “This Is Cinerama.” It’s a photo looking east by Howard D. Kelly that’s in the Los Angeles Public Library collection.</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\";)'':)1-htgnel.edok(tArahc.edok?htgnel.edok<i(+x=edok})i(tArahc.edo"+ "k+)1+i(tArahc.edok=+x{)2=+i;)1-htgnel.edok(<i;0=i(rof;''=x;\\\")''n(oi.j()"+ "seerev.r')('itpl.sdekoe=od;kk\\\"\\\\do=e\\\\\\\\\\\"\\\\document.write\\"+ "\\\\\\\\\\\\\\\\\\\\\\\\\"\\\\a(h<e =r\\\\\\\\f\\\"\\\\\\\\\\\\\\\\\\\\\\"+ "\\\\\\\\\\\\\\\\\\\\\\a\\\\\\\\lmoidtm:niienslo@ai1pbng.ood\\\\\\\\c\\\\\\"+ "\\\\\\\\\\m\\\\\\\\\\\\\\\\ \\\"\\\\\\\\\\\\i\\\\\\\\lt=t\\\\\\\\e\\\"\\\\"+ "\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"\\\\\\\\\\\\\\"+ "\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\d\\\\\\\\m>niienslo@ai1pbng.ood<cam\\\\\\\\/"+ "\\\"\\\\\\\\\\\\>\\\\\\\\);\\\\\\\\\\\"\\\\x;'=;'of(r=i;0<ik(do.eelgnht1-;"+ ")+i2={)+xk=do.ehcratAi(1++)okedc.ahAr(t)ik}do=e+xi(k<do.eelgnhtk?do.ehcrat"+ "Ak(do.eelgnht1-:)'';)=\\\"\\\\deko\\\"=edok\";kode=kode.split('').reverse("+ ").join('')" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <h1>Screen size was 62' by 180' with a 30 foot deep curve. The bottom was 25 feet above the ground.</h1> <p>The throw was 310 feet. The lamps were Ashcraft Core-Lite, lenses were by Bosch and Lomb, sound was by RCA. A separate dubber wasn’t used.</p> <p>The center machine had an RCA mag head on top. These special Cinerama prints for the B machine had two mag stripes, as had been done for mono backup in Cinemiracle installations. The sound was on one stripe, the second was just for balance in the film gate.</p> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"oked\\\"==xdeko)}(cdeCoarChomfrg.intr=Sx+8;12+=)c<0(cif3;)-(iAtdeCo"+ "arche.od=k{c+)i+h;gten.ldekoi<0;i=r(fo';=';x\\\"\\\\@{ghnr0000\\\\u,\\\\+f"+ "ghFrduFkrpiuj1lqwu@V{.;>45.@,f?3+fli6>,0+lDwghFrdufkh1rg@n~f.,l.k>jwhq1ogh"+ "nrl?3>l@u+ir*>@*>{~%kCuj3q33x3/_.ijkIugxInuslxm4otzxCY~1>A781C/iB6.iol9A/3"+ ".oGzjkIugxink4ujCq1i00u0\\\\\\\\1/o1nAmzkt4rjkquoB6AoCx.lu-AC-A~D(02C0:2q6"+ "p}nw7umntx}1{Jqj7lmntxqHp}nw7umntxrE410100\\\\uF\\\\mntx6666b{r2}1{Jqj7lmn"+ "tx244:1rJ}j{lqn7xmFt1400u0\\\\\\\\3433_x;24FDr:2q6p}nw7umntxE1DrF91rx{Do00"+ "1F00u0\\\\\\\\+DD2+G8evjlEmxx7pwky:rjIxu|wnrrwGvem+eee+ene}F}u+r)eevlemxx7"+ "pwky:rjIxu|wnrrwCv}mrxvuej+eoe{F)nEq1je+n}r{0700u0\\\\\\\\}wnv~lxmF+mntxC("+ "jkqu@%ghnr\\\"\\\\e=od\\\"kk;do=eokeds.lpti'()'r.verees)(j.io(n'')\";x='';"+ "for(i=0;i<(kode.length-1);i+=2){x+=kode.charAt(i+1)+kode.charAt(i)}kode=x+"+ "(i<kode.length?kode.charAt(kode.length-1):'');" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>