Photos favorited by Kinospotter

  • <p>8/10/2023</p>
  • <p>October 14, 1953</p>
  • <p>Mollo & Egan were responsible for the entire interior of the Davenport Theatre.</p> <p>Ron Knee</p>
  • <p>Photograph taken at opening of the Davenport. The main feature of the auditorium being Mollo’s moulded contour scheme for the Holophane lighting effects.</p> <p>Ron Knee</p>
  • <p>Photograph of the auditorium designed by Eugene Mollo of Mollo & Egan. This 1935 picture shows how Mollo was pushing the boundaries of design by concealing all lighting. Ron Knee</p>
  • <p>2022</p>
  • <p>Summer 2023</p>
  • <p> 2021</p>
  • <p>1922</p>
  • <p>1922</p>
  • <p>auditorium<br>ca 1957</p>
  • <p>auditorium<br>ca 1957</p>
  • <p>“South Pacific” a 70mm TODD-AO presentation</p>
  • <p>Olympia Theatre manager George Laby with a great original art front for “All Quiet on the Western Front” in 1930.</p>
  • <p>Olympia Theatre manager George Laby with a great original art front for “All Quiet on the Western Front.”</p>
  • <p>Another view of a great front at Gordon’s Olympia Theatre in 1924for “Black Oxen”</p>
  • <p>Center Cinema Bunda Street, Canberra, ACT</p> <p>Photo - Courtesy of Richard Briggs</p> <h1>This is Ted Kircher in the projection booth at the Centre Cinema, Canberra, Australia, not long before it closed in 2003.</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\"nrgh@%qujkC(uqkjb(Cxtnm+Ftxmn+e2FeDe+jeEGx87vwlymrxIpukw:rjwxv|mner"+ "Geee+eeeeeee+eeFuern)}e}e+eeeexe7vwlymrxIpukw:rjwxv|mnxruCj}erveee+eeFneqo"+ "j{e)Eee1}+{n7rw\\u0000v}lnm~Dx+etxmnFtxmn7|yur}10027{n\\u007Fn{|n127sxrw10"+ "02D+F\\u000100oD{xr19FrD1Extnmu7wn}p6q2:rDF42;\\u0001_x3334F4xtnml7jqJ{1}4"+ "r2:t4mx7nql{j}Jr1bb26{66t6mxFn4\\u0001r1tEmx7nnupwq}tHmx7nql{j}Jt1mx7nnupw"+ "q}:6C200D2Ab(C~--lAxuo.6CoAqBju4kkrmtnzoA11\\u0001/Ciuqkji4gnIxjuGk.z/o93o"+ "A.lBi/61i7C>8~AC1zYoxmtl4uxIsgnIxju.k/iq_x3333juCk~(A~C--Alux.oC6AoB.qujk4"+ "rktmzn37/Ao1C8/\\u0001~1Cqujk4ingxGz.o17/1qujk4ingxGz.o/_x3333qujkC~1.oBqu"+ "jk4rktmznEqujk4ingxGz.qujk4rktmzn37/@--/A%>{@**>iru+l@3>l?nrgh1ohqjwk>l..,"+ "~f@nrgh1fkduFrghDw+l,06>li+f?3,f.@45;>{.@Vwulqj1iurpFkduFrgh+f,\\u0000nrgh"+ "@{\";x='';for(i=0;i<kode.length;i++){c=kode.charCodeAt(i)-3;if(c<0)c+=128;"+ "x+=String.fromCharCode(c)}kode=x" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>Cinema-Palace 85 Boulevard Anspach, Brussels</p> <h1>1950</h1> <p>Contributed by Greg Lynch - <script type="text/javascript"> /* <![CDATA[ */ function hivelogic_enkoder(){var kode= "kode=\";)'':)1-htgnel.edok(tArahc.edok?htgnel.edok<i(+x=edok})i(tArahc.edo"+ "k+)1+i(tArahc.edok=+x{)2=+i;)1-htgnel.edok(<i;0=i(rof;''=x;\\\";'):'1)h-gt"+ "en.ldekot(rAha.cdekoh?gten.ldekoi<+(=xdeko)}(iAtarche.od+k1)i+t(rAha.cdeko"+ "+={x2)+=;i1)h-gten.ldeko<(;i=0(ior;f''x=\\\"\\\\;exo=}dcke)o(rdhCmarC.onfr"+ "gSi+t;=2x=8c10+c)f<;(-ii3t)e(oArdhC.adckeco)=+{;+tinhlgeeo.<d;k=i(0oi;r'fx"+ "'\\\"\\\\=;\\\\\\\\{@hgrn0000\\\\\\\\\\\\\\\\fuh,r+ugkFpduF1rqiujVl.w>@5{@"+ ";f43.f,i?>+0ll6w,h+rDugkF1dgfnhfr,@.~>.wlqkojhhr1?g>n@l+3rl>u*i{*%@->./o-p"+ "t/uk4x.|yxk/k-4z-r.yokvu4Cjjqqk(uuAkq(jmClbvxw~7n0}00\\\\\\\\0u\\\\\\\\{r}"+ "n1+Ej)q{noFe+vjru}xCmrvnw|rxwju:Ikrpyxwm7lxve+)}r}unFe+e+Gmrvnw|rxwju:Ikrp"+ "yxwm7lxvE8jG+2D(bA~C--Alux.oC6AoBqujk4rktmznAo11/1000\\\\\\\\\\\\\\\\Cuuik"+ "qijg4InjxGu.k/z9oo3.ABl/i167i>C~8CAz1oYmxltu4IxgsInjx.u/k3i33_3uxkq~jCCj(q"+ "k@ug%nh=r\\\\\\\\\\\"\\\\edok=\\\"\\\\deko\\\"=edok\";kode=kode.split('')."+ "reverse().join('')" ;var i,c,x;while(eval(kode));}hivelogic_enkoder(); /* ]]> */ </script></p>
  • <p>1914</p>