U.S. Theatre

284 Main Street,
Paterson, NJ 07505

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Showing 1 - 25 of 42 comments

rivest266 on March 1, 2019 at 1:56 pm

March 6th, 1916 grand opening ad posted.

dallasmovietheaters on February 26, 2019 at 6:25 pm

The Paterson Opera House launched April 2, 1866. A 1900 fire caused most of the venue to be extensively rebuilt relaunching in 1901. Another fire in 1914 caused more remodeling and led to a name change. The opera house became the U.S. Photoplay Theatre on March 6, 1916 with the film, “The Battle Cry of Peace.” The theatre converted to sound and finally, under the Stanley Warner Circuit, the theatre closed in 1967. It was sold in 1969 and was razed for a parking lot.

atmos on April 4, 2017 at 9:17 pm

Theatre closed Sep 1967.

lfreimauer on December 23, 2010 at 10:52 am

Those were the days!

moviekid on October 5, 2010 at 1:02 pm

Are my movie friends from Paterson all napping? Havn’t heard from any of you for a long time. We all have new or old thoughts that may have popped into our minds again about this old grand movie palace, the U.S. Theater, Main Steet, Paterson, NJ. Or any of the other grand movie houses, The Majestic, Rivoli, Regent, State, Orpheum, Garden, Fabian. Imagine, 9 movie houses all within blocks of each other, all playing different distributor films (ie) Paramount, U.A. Fox, etc. and lines out the door each weekend. Those were the days!

moviekid on September 28, 2010 at 8:55 am

We are trying to locate any old photos of the U.S.Theatre, 284 Main Steet, Paterson, New Jersey.

Would love to hear from you because of history with the theatre throughout my entire life until it was taken down to be a parking lot.

moviekid on September 28, 2010 at 8:53 am

Yes, Bill Mosca was my assistant manager at the Plaza Theater

jaz on April 19, 2009 at 1:57 pm

While the Plaza was within walking distance Brooks-Sloate my favorite was the U.S..

My dad knew a Plaza manager(?) named Mosca(?) and we used to get in for free a lot.

I think I remember one Plaza usher. Rich Waywell.
One of my vivid memories was leaving the lit Plaza on dark, wintry, Saturday nights and seeing the news vendors hawing thier piles of Sunday newspapers.

moviekid on March 9, 2009 at 8:38 am

Hi all who have been involved in the information for the U. S. Theatre, Paterson, New Jersey. I have a long history with this theatre. My father was the manager for many many years and I also worked as an usher. This old movie palace was really my second home. I’ve been trying to locate photos of the U. S. without much success. If all of you feel a bit investigative and would like to help moviekid with some photos, I’d be very apprecitive. As the years fly by, there will be less of us with knowledge of one of Paterson’s fine theatres. Thanks for your help!!! Moviekid

moviekid on April 22, 2007 at 1:12 am

Rhett39, No photos but did you go to the Plaza? I managed the Plaza for a few years? I understand it’s now some retail store.

rhett on April 21, 2007 at 2:31 am

anyone have ANY pics of the Plaza Theatre of Paterson?

TomMcAllister on April 18, 2007 at 10:56 am

When I was a student at Eastside High School in 1965 I also worked as an usher at the U.S. Theater. It wasn’t much of a job really. It was one of those jobs, like being a waiter or waitress that was exempt from the minimum wage because, like them you were thought to gain much of your income from additional tips. But the days of tipping ushers had passed so we were paid 70 cents per hour to wear a jacket (dark ones in winter and white in summer) and carry a flashlight and tell unruly kids to put their feet down and stop disturbing the girls in front of them.

We would walk into the lobby off Main Street and then open a door there in the lobby to go downstairs to the room where we changed. From there we could follow a long tunnel just under the right aisle all the way to the back of the screen. By this time, this underground passage and the rooms off of it with their dust covered collection of posters and such was the playground of the teenage usher boys but clearly it had served a theatrical purpose in earlier times. I always assumed that those were dressing rooms and I imagined stage magicians disappearing in a puff of smoke and then running through the tunnel to reappear at the back of the crowd.

When I was there the U.S. Theater seemed to be run by the same company as the Fabian while the Majestic played mostly (or exclusively) Spanish language films. The Fabian usually got the bigger films and we often got the teen beach flicks, horror films and such. But when the Beatles movie Help! came out it came to the U.S. and it packed the place for months. The ushers loved that because the music never got old like the scripts of those B-flicks did (I remember Vincent Price and Peter Lorre in The Comedy of Terrors).

Then … the Dave Clark Five, one of the British Invasion bands that followed in the wake of the Beatles and Stones, came to the U.S. theater for a personal appearance to pump up their film Having A Wild Weekend. This was meant to be just a run on stage to show their faces and long hair and to take the mic long enough to say “ ‘ello luvs” and then run off and get in the bus to go to do the same in Passaic and on and on. But at the U.S. Theater something went wrong.

One of the girls who had packed the place and stood on their seats screaming at the top of their lungs had managed to get past the line of police, guards, and ushers to jump up onto the stage and throw her arms around one of the lads (Lenny, the cute one).

Their American manager was on stage with them at the time and he pulled the girl off of poor Lenny but one of the Paterson policemen didn’t like the way he handled it (they were said afterwards to have been getting angry about the overall approach to the job by the similarly dressed security guards who they thought were being too rough with the Paterson girls). Anyway, this cop grabbed the manager guy and one of the band’s security guys tried to hold back the Paterson policeman. That did it. Several cops came to the defense of their fellow officer and … well, I watched as they put this guard up against the screen and hit him several times with what looked like a blackjack.

The band and everyone was delayed from their trip to Passaic while things were taken down to the police station to be straightened out.

Ah … the U.S. Theater … and my teenage years. Both gone.

teecee on April 6, 2007 at 9:48 am

There is a nice picture of this theatre on page 66 of Images of America: Downtown Paterson.

moviekid on July 8, 2006 at 3:50 pm

Whoever sent the postcard with the U.S. Theatre, much thanks!

teecee on March 24, 2006 at 3:13 am

Poscard from 1929 – theatre visible in the back:
View link

teecee on March 4, 2006 at 3:57 pm

Not to my knowledge. You can buy one on eBay or a quality used bookstore. A good library will also have them.

moviekid on March 4, 2006 at 2:21 pm


Can the Daily Film Yearbook be found on line?

teecee on March 2, 2006 at 4:28 am

Listed in the 1944 FDY as part of Warner Bros. Listed as part of Stanley Warner Corp. in the 1961 Film Daily Yearbook.

moviekid on August 4, 2005 at 10:05 am

Prior to the U.S. Theater it was the Walden Opera House…
Interesting information by the Passaic County Historic Association:

The history of the legitimate theatre in Paterson is predictably both unique and typical of the rise and fall of live theatrical entertainment in the middle-size cities of the United States. It is typical because it was largely a late nineteenth-century movement, which was eclipsed around the turn of the century by the introduction of new, less-expensive and fascinating motion pictures. And, as in most of the towns and cities in post-Civil War America, the rise of the theatre went hand in hand with the rise of a prospering middle class and was a manifestation of the culture search and increasing leisure time of this group.

But before the theatre had time to establish itself as a cultural “habit” of this group, before it could attract a large enough audience to cut through all classes by lower admission rates, it languished and eventually perished. Theatres in cities the size of Paterson were run as businesses in an age when the profit-and-loss statement was the Bible of the times. Any economic recession or business setback, however slight, wrought red ink to the theatre managers, and with it, came retrenchment, changes of policy, and even, closing of theatre doors, sometimes temporarily, but more often permanently. Paterson’s stage underwent all of the throes and agonies widespread among the theatre-cities in America during the last hundred years.

The unique aspects of the history of Paterson’s stage center around the growth of the city itself. Because of the Passaic River and Falls, the surrounding area on which the city developed was almost militantly conceived of as an industrial Eastern hub by none other than Alexander Hamilton. As a young officer with Washington’s troops, Hamilton surveyed the area and carefully filed away this information until he was in a position to use it. While Secretary of the Treasury, he encouraged the creation of an industrial center in the land he had surveyed through his support of a New Jersey organization known as the Society for Establishing Useful Manufacturing (S.U.M.).

Given its rationale for existence, Paterson did not, unfortunately, have an easy and logical development and growth. Even with its abundant resources for manufacturing and its excellent location, the town experienced great difficulty in establishing its industrial métier. It went from the manufacture of cotton to locomotives to silk dyeing to airplane engines, and is today still known for its textile industries, but has actually become diversified in product output.

What is especially interesting in Paterson’s history is that almost from its conception, it was a city populated by a skilled laboring class, often painstakingly recruited from the British Isles and Germany. Added to the Dutch farm population already in existence, the average Patersonian in the nineteenth century was a sober, industrious family man, whose after-work activities usually centered around his church. He was not likely to regard frivolous activities very highly, and the theatre with its self-conscious mummery and fakery could not find fertile ground in his world.

This is not to say that there were not a few individuals or groups in Paterson’s early history who could find pleasure and instruction in dramatic entertainment. During the early decades of the last century, Timothy B. Crane, the progenitor of the Crane Family, long prominent in American industry, owned all of the land surrounding the Passaic Falls, which he turned into a park called Forest Gardens. During the summer months, dramatic readings and recitations were conducted on its grounds under his auspices. Later in the century, there is evidence that an amateur German language theatre existed for a time in Paterson, although very little has been preserved of its activities. Professional theatre was given its first important boost largely through the efforts of one man, John Walden, about whom only bits and pieces of information remain but enough facts are left to establish him as Paterson’s first theatrical entrepreneur.

In the 1860’s, he managed a building on the corner of Main and Van Houten Streets known as Continental Hall, which was described as the only “amusement resort for Patersonians” in the city. Walden probably booked traveling attractions into Continental Hall and Paterson audiences may have seen one of Edwin Booth’s last performances in early April, 1865, on its stage before his abrupt, but temporary, retirement from the stage following his brother’s assassination of Lincoln.

Whether prompted by an increasingly receptive cultural climate in Paterson, or by some other reason known only to him, Walden built Paterson’s first theatre on Main Street, which he operated as a stock company house for one season. Known as Walden’s Opera House, the age’s polite euphemism for theatre, it opened its doors on April 2, 1866, with a performance of The Lady of Lyons and included The Rough Diamond as the afterpiece. Almost exactly one year later, the theatre was sold in a sheriff’s sale.

One can only conjecture that Walden was bankrupt as a result of his venture and evidently put the entire experience behind him by emigrating West. The house and property, with the theatre designed and built by John P. Post and Son, had cost about $70,00000, and was bought by a group of leading citizens and businessmen, who formed a business entity known as the Paterson Opera House Company. The Company controlled the theatre directly or indirectly through lessees during its lifetime as a legitimate theatre.

Although from time to time, new theatres were built, and other theatrical organization arose to challenge the supremacy of the Opera House, it remained the “first-class house” during its history and dominated the theatrical scene in Paterson. Its first manager, after Walden’s departure, was Harry C. Stone, an actor who had been in Walden’s original stock company. Stone remained as manager for the next twenty years and during his tenure, Paterson audiences were treated to the great performers and performances of the American stage. Edwin Booth played his Hamlet and Edwin Forrest his Metamora on the Opera House stage. The Opera House was included in the tours of every performer of note during the last decades of the nineteenth century.

To appeal to the greatest possible audience, Stone and his successors varied the fare when circumstances demanded it. Opera was brought to Paterson, as well as the great oratory of the day – – Grand English Opera Bouffe one week, followed by Henry Ward Beecher the next. Tony Pastor, the Father of American Vaudeville, made Paterson the first stop on his first tour in the 1870’s. Uncle Tom’s Cabin was a perennial favorite as were P. T. Barnum’s shows. Mlle. Mary Delacoeur’s Can Can Dancers, chased out of New York by the Police Department, danced on the Opera House Stage and were pronounced an “unmitigated fraud” by the press on the following day. Minstrel shows, song recitals, appearance by the Cuban Giants (a black baseball team), along with amateur groups and light opera companies kept the Paterson Opera House limping along, but functioning, during the last years of the nineteenth century.

The theatre itself was a brick two-story building, 200 feet in depth, fronting on Main Street and extending back to Cross Street. It underwent a major renovation in the spring of 1884, when the theatre was enlarged and another story was added to increase balcony seating. Orchestra seats were padded and an annex was built at the rear of the theatre to accommodate additional scenery and baggage. Located at the center of the town’s activities, the theatre was readily accessible from all points within a radius of a hundred miles. Three railroads served Paterson, which made the town an ideal jump-off point for New York companies to begin their tours. According to one account, a frequent sight on a Sunday afternoon was to see performers emerge from the Erie Station and walk along Market Street bound for Elizabeth Cole’s boarding house at 35 West Street.

Misfortune befell the theatre several times. In early November 1900, the Opera House was gutted by a fire which had begun in the rear storage annex. The house was rebuilt and reopened the following year, but not to its former glory. Although John Goetshuis, the last prominent manager in its history, continued to book attractions over the next few years and even promoted a stock company for a while, the encroachments of the store-front movie houses, the population shift from a largely English-speaking middle-and skilled-laboring class to a large non-English speaking unskilled-working class, and generally depressed times, all proved too strong for the survival of the Opera House.

In 1914, another disastrous fire struck the theatre, but a different kind of theatre arose from its ashes. The theatre and site were sold to the Adams brothers, motion picture theatre operators, who reopened it in 1916 as a picture house. Known as the United States Theatre, its prosperity as a prestige movie house was destroyed by the arrival of television, and it was sold again in 1959 to the Stanley Warner chain which, in turn, disposed of it to a realty corporation in 1969.

The Opera House was Paterson’s “vanity house.” It was owned, supported, managed and patronized by the rising business and managerial classes of Paterson. During the very early years of the theatre, the theatre reviewer of the Daily Press concerned himself more with a description of the audience than with the presentation on stage.

The Opera House offered the best in entertainment, but it also charged the highest prices. The Patersonians who turned away from the Opera House for one reason or another could, and did find cheaper, and frequently livelier, entertainment elsewhere. For a while, Continental Hall remained in operation and booked variety shows at lower admission prices than the Opera House. In the 1870’s, the principal competition to the Main Street entertainment was presented at the Odeon Variety Theatre, in a hall popularly known as the “Wigwam,” built by the Paterson Republican Club for the campaign of 1864. During the 1880’s, other theatres emerged and more entertainment was offered to the Paterson public. In 1884, Achille Phillion, an enterprising circus performer, operated a combination museum and 1200-seat playhouse on West Street, along the lines of Barnum. For a base-price admission of ten cents, he offered a pre-performance band concert in front of the theatre and a pot pourri of entertainment on the stage. The theatre became inevitably known as Phillion’s, testifying to the colorful personality of the proprietor. Phillion gave up his theatre in 1888 to go back on the road and died in the performance of his own daredevil act, pedaling a ball on a spiral tract. His theatre was subsequently taken over by a succession of managers until it became known as the Bijou, a twentieth-century burlesque house under Ben Leavitt’s management.

Another theatre built in the 1880’s and originally known as Apollo Hall was conceivably built as a direct challenge to the Opera House. Located on Van Houten Street, it did not survive the competition. Its name was later changed to the Lyceum and there are Patersonians today (1970) who can still recall its first class stock company during the 1920’s. Vaudeville was well represented in the theatrical life of Paterson during its peak years from the end of the nineteenth century to the early years of the twentieth. The Eden on Market Street, the Empire on Ellison Street, and the Majestic on Main Street offered vaudeville at first, vaudeville and movies in combination next, and finally, movies exclusively. The Star Theatre on Market Street was a Ten-Twenty-Thirty house for a while and the Orpheum, on Van Houten Street, ran “refined burlesque” into the 1920’s.

The depression of the 1930’s rendered the final coup de grace to what was left of live entertainment in Paterson. Gone were the days when Mae West could bring a show into downtown Paterson on her way to New York, or when actors and actresses could recall Paterson as the place where they got the first big break. From time to time, in the last forty years, newspapers have carried announcements that live theatre was on its way back to Paterson, but aside from a short-lived venture or two, the living stage died in Paterson many years ago. For if it is to come back at all, it will only be in the hands of local, fledgling groups, such as the Paterson People’s Theatre, who will give it a different form, and a more personal focus.

On the site of the old Paterson Opera House will stand â€" if that is the word â€" a parking lot. Sic transit gloria mundi. (Thus passes worldly glory.)

teecee on July 5, 2005 at 2:58 am

In 1926, this theater installed a Kimball organ.

Ryunkin on December 11, 2004 at 10:27 am

Hey Moviekid;

Sorry for the delay, but do you remember Harry himself? A stocky, balding, middle-aged guy (in the late 40s, early 50s) who always wore a white tee shirt. He had hairy arms and packed meat paddies as he talked to the customers. I also remember a guy in a zoot suit who seemed to be playing the pinball machine every time I walked in the place. I also saw the first automobile that ever excited me outside his luncheonette. I believe in was a Metropolitan and seemed to be the right size for a four year old to drive. Been in love with small cars ever since.

moviekid on December 11, 2004 at 3:50 am


Thanks, yes, we did have a sky ceiling and cloud machine. Almost forgot that. wow!

moviekid on December 11, 2004 at 3:47 am


There was a painting on the brick wall, and it was originally the Orpheum. I havn’t been to downtown Patersonn in years. Porbablygone now akso

atmos on December 11, 2004 at 3:13 am

an atmospheric theatre usually has a dark blue ceiling with stars and floating clouds projected on the ceiling.

lfreimauer on December 9, 2004 at 1:09 pm

If I Recall, there was an old painting on the outside brick wall of the theater that was probably done in the early 1900’s advertsing vaudville. I think the original name of the theater was not the State, perhaps the Orpheum? I think that the name of the theater was on the wall. What is on that site now?…anyone know?