The May 2, 1927 Moving Picture World ran this item about the Blake Theatre: “The Blake theatre, Webb City, Mo., has just completed a remodeling job which cost $20,000. The improvements included new upholstered seats, painting of the ceiling and replacing of the floors.”
Are we sure of the aka Civic Junior? More than a year before this house was supposed to have opened as the Dickinson Theatre, the January 6, 1945 issue of Boxoffice had this news about the Civic Junior Theatre: “Webb City Show Closed By Blaze in Booth
“WEBB CITY, MO.—A fire in the projection room of the Civic Junior Theatre here recently destroyed film and caused smoke and water damage which closed the theatre for a few days. Howard Larsen, manager, said the blaze apparently originated from a short circuit in the wiring while Bob Case, projectionist, was checking some film prior to showing.”
If this house was the Civic Junior, our history of it needs to be rewritten.
To expand a bit on Darren_Snow’s comment above, an article in the April 12, 2023 Webb City Sentinel says that the Empress Theatre operated at this address from 1915 to 1928. It appears on a Sanborn map dated March, 1915 (the most recent available for Webb City.) The building was much too small for a theater seating 1,100, so if the seat count is accurate it must have been expanded quite extensively at some point.
The Sentinel article says that the entire half block of buildings that had once included the Empress/Ozark Theatre was destroyed by a fire in December, 1982.
The 1915 Sanborn also shows a combination movie-vaudeville house at 21 S. Allen (now Main) Street. It was larger than the Empress. I can’t confirm a name, but it might have been the Lake Theatre that was listed in the 1914-1915 AMPD.
The company called Warner’s Features operated from 1910 to 1917, as a distribution firm for its first three years and as a production company after that. I can’t find a film titled “Regeneration” but the Warners distributed a 1912 film titled “The Regeneration of Worthless Dan” Which might have been the movie advertised by the poster on the Royal in this photo.
Wikipedia has an article on the Mattha Washington Theatre which says the house opened on October 21, 1915, and the first movie shown was Vitagraph’s “The Island of Regeneration” starring Edith Storey. Florence Signor sold the house to Butterfield Theatres in April, 1925.
The Deja Vu strip club, first opened in 1982, was forced to close during the COVID-19 Pandemic, in March, 2000. While closed, the building suffered a major fire that June. Lawsuits were filed by both the city and the club, and the settlement reached in 2022 allowed the club to reopen after certain conditions were met, including returning part of the building to retail use, and the reconstruction of the lost theater marquee. The club reopened on March 1, 2024 and continues in operation today.
The November 13, 1915 issue of Moving Picture World carried a short item about the opening of the house: “THE MARTHA WASHINGTON AT YPSILANTI OPENS.
“The Martha Washington theater, Colonial in design, has been opened at Ypsilanti by Mrs. Florence Wilson Signor. The stucco work is designed after the time of Martha Washington, many of the details and enrichments of the plastic relief are fac-similes taken from her home in Mt. Vernon. The borders, especially those on the ceiling, are taken from some of the ceilings in the White House at Washington, D. C., and other Colonial homes in the East. Bas relief portraits of Martha Washington enhance the two side panels of the proscenium arch. The antique gold frame which surmounts these portraits is an exact fac-simile of the portrait of Martha Washington which enriches the walls at Mt. Vernon. The general color scheme of the entire house is in subdued tones of old rose, French greys and antique ivory. The main panel of the ceiling is in mellow sky effect, containing pearl greys and ivory tints.”
Butterfield’s takeover of the house from Mrs. Signor, who at the time had been the last woman theater operator in the state, was noted in the May 2, 1925 issue of Motion Picture Herald.
The Lyric was opened in 1910, when the May 15 issue of The Nickelodeon ran this item: “LAURIUM, MICH. -The Lyric theater, the newest playhouse on the D. E. Rice circuit, recently opened on Hecla street, near Fourth, under the management of A. L. Cooley, which will be devoted to moving pictures, is said to be the most beautiful and roomy theater on the circuit, which includes Larium, Red Jacket, Mohawk and Negaunee. The theater was planned by the Decorators' Supply Company, Chicago, and the decorating was done by the Chicago Decorating Company, a branch of which is located in Larium.”
The May 15, 1910 issue of The Nickelodeon suggests another possible name for this house: “MARSHALL, Mo.-The Gayety, a new moving picture theater, was recently opened by the Midland Amusement Company of Kansas City, under the management of W. C. Robertson.”
On the other hand, since the April 15 issue of the same journal had said that Mr. Robertson had opened a theater in the Ming Building, and Google’s AI says that the Ming Building was on the north side of Marshall’s town square, which is not Jefferson Street, this house might not have been the Gayety. Unless, of course, Mr. Robertson opened more than one theater at Marshall that year.
A post on the “Get to Know Newton” Facebook page reveals that this house was called the Star Theatre. Upstairs in the same building was the Modern Woodmen of America lodge hall, which had been built around 1880. On a 1906 Sanborn map, the downstairs was vacant, so the theater opened sometime between then and 1911, but probably before 1911.
The theater mentioned at the end of this item from the March 12, 1927 issue of Moving Picture World could have been the Capitol, though it doesn’t use that name: “A. G. Stolte with the Blank circuit is in Chicago for a few weeks making a close inspection of the Balaban and Katz system, which he will introduce in the management of the new Riveria theatre to be opened at Omaha, Neb., under his direction. He recently opened the new Englert theatre at Iowa City and new Newton theatre at Newton, Iowa.”
The 1926 and 1927 FDYs list only two theaters in Newton, the Newtonia, with no details, and the 585-seat Rialto. The 1928 edition lists a rather surprising five: the previous two, plus the Capitol, the Strand, and the Rex. As Newtonia is supposed to have been an aka for the Strand, its appearance that year was probably an error, though the same five houses are listed in 1929.
110 N. 2nd Ave. W. is currently occupied by extra office space for a bank next door at 100 N. 2nd. 112 is currently a vacant retail space previously occupied by a boutique.
Newton’s Strand Theatre first appears in the 1928 edition of the FDY. Other local houses making their first appearance that year were the Capitol and the Rex. The Newtonia was still listed, too, held over from earlier editions along with the 585-seat Rialto. The Newtonia Theater was mentioned in the May 16, 1925 issue of The Billboard.
The Rialto Theatre occupied the Clarkson Building, 114-118 First Avenue East, with its entrance in the building’s central bay at 116 First. The building, which is a contributing element in the Newton Downtown Historic District, is the subject of an Iowa Department of Cultural Affairs inventory form (PDF here.)
The building was erected in 1917, though the document inconsistently says the Rialto operated from 1916. No explanation is given for this. However, the document does say that the Rialto was operated by the A. H. Blank Company, and that its co-owner was George P. Hundling, who opened the Capitol Theatre with the Blank company in 1927. The Rialto was closed intermittently for a few years, then reopened full time in 1934 as the circuit’s “B” house in Newton, showing second run films and cowboy movies. It continued in operation until 1954 and has since been used as office or retail space, and is currently office space for a chartable organization.
This one is a puzzle. There are Sanborn maps of Westerly from 1912 and 1921, and no theaters are noted on Union Street on either of them. I see only three buildings on Union Street that might have housed a theater, but only one seems very likely. That is a wood frame building at 6 Union Street which in 1912 was marked as “Club Room” (and thus could have been the AOH hall, which is not indicated anywhere else on the map,) and by 1921 had become a synagogue, which it remains today, the Congregation Sharah Zedek.
The other two possibilities are a building on the corner of Main Street which was unidentified in 1912 and which had become a garage by 1921, and the Old Town Hall, across the street and down a bit from the new Town Hall which the map designates as being “from plans.” The Old Town Hall is a compact, three-story brick building which the map says has the town clerk on the 1st floor and a hall on the second floor. It would have been rather small for a theater, and with very little space for the vaudeville the Union advertised. By 1921 it was identified as a Manuel Training School.
The “Club Room”/Synagogue building, which the maps indicate was “16' to eaves” was spacious and could certainly have accommodated a vaudeville stage, is definitely the most likely location for the Union Theatre, despite an unusual location atop a hill with a long stairway leading up to the building (Google street view.)
The October 30, 1915 issue of Moving Picture World said that “[p]icture programs now are the center of attraction at the Blivens opera house at Westerly, R. I. This house formerly played road attractions.”
A Central Theatre was listed at Westerly in the 1914-1915 AMPD. Was that this house? The only other theater listed at Westerly was the Bliven Opera house. Stonington was not listed in the Directory. The Central at Westerly was also mentioned in the July 24, 1915 issue of Moving Picture World. The owner of the Central then was D. A. Smith, who had just bought the Bradley Theatre at Putnam, Connecticut.
A June, 1912 Sanborn map shows “Moving Pictures” in a storefront at 308 Main Street, which was seven doors east of Water Street. I don’t know if this house was related to the Alpine but they were on the same block. The 1914-1915 AMPD lists two houses at Salem; the Auditorium on River Street and the New Lyric Theatre, no location given but most likely the house at 308 Main.
The May 17, 1930 issue of The Billboard said that the Metairie Theater at Metairie Road and Frisco Avenue had opened under the management of C. E. Strauss and H. A. Johnson.
The July 13, 1937 Film Daily noted the change of ownership and name: “United Theaters Add One
“New Orleans— United Theaters will open the newest addition to its
subsequent run neighborhood circuit here tomorrow when it starts the Metairie, rechristened the Metry. Theater, which has been a hard operating proposition, was taken over from a corporation headed by Alex Dumeste, Jefferson Parish (county) lawyer, who has been retained as manager.”
I came across the following item from the May 17, 1961 issue of Motion Picture Exhibitor:
“Mike Ripps, head man in the ownership association of Do Drive-In Theatres in Metairie, La., and Mobile, Ala., and individual owner, under skyer in Biloxi, Miss., who is also an independent film producer, was on an extended journey up north to visit Cincinnati, Detroit, Chicago and other points in the interest of his newest film, ‘White Trash,’ which was partially lensed in the deep south, with finishing touches in Hollywood. Ed Fessler, his partner in the Mobile drive-ins, is associated with him in the making of the film.”
This item caught my eye, as I saw that movie. It was released as “Poor White Trash” sometime in the summer of 1962. The production was four-walled (theaters were rented and guaranteed a certain amount, plus what they could earn from concessions, while the distributor of the film collected the entire box office take.) It was clearly presented as an exploitation flick, with full-page ads in the papers touting a lurid tale of lust among the swamp-dwelling Cajuns of Louisiana. I was sure the movie would be crap, but thought perhaps it would at least have some decent Cajun music for a sound track, and in any case the venue in downtown Los Angeles was the Los Angeles Theatre itself, my favorite downtown palace.
So on opening day I went downtown and bought my ticket for the early show, which was at first busier than the house usually was. The movie was not a disappointment in that it was utterly disappointing, as I’d expected, and worse, didn’t even have the Cajun music I’d hoped for. The cinematography was execrable, the lighting horrible, the sound hopelessly muddy, the acting amateurish, the characters as unpleasant as they were unbelievable, and the script… well, I had a hard time believing there even was one. As for the touted luridness, all I can say is the movie could easily have been marketed as a sure-fire cure for priapism.
But I was happy to forgive all that (sadly not even comical) failure, as the movie gave me an experience I would surly never have had otherwise. I saw my favorite downtown movie palace packed. The audience kept growing as I watched to movie, and soon came to provide an alternate viewing experience much superior to the one I had bought a ticket for. By the time the movie mercifully ended, I looked around the huge space and saw virtually every seat in view taken, almost all of them by men, and every one of them (I am sure) was a true devotee of the cinematic arts.
I could see people in the second balcony, a part of the theater that had never before been open when I was there. Before leaving the theater (it was a single feature, unusual for those days, and there was no way I was staying for a second showing of that poor piece of black and white trash) I made my way up one of the narrow staircases leading to that mystery area, and for the only time got to see that vast, ornate auditorium from the very top. That alone would have been worth the price of admission.
So now I know a bit more about the men responsible for that wretched moving picture. I forgive them. It was going on two thirds of a century ago, and most likely they are dead now, as are most of the audience I shared the experience with, and it won’t be long before I join them (or nobody) in that (probably imaginary) balcony in the sky. Whether the memory will survive or not I can’t say and really don’t care. It’s here now and I got to enjoy it again. And now I think I’ll make some popcorn.
This item from the May 17, 1930 issue of The Billboard notes the opening of the Venice Theatre: “An invitation audience of 500 recently attended the formal opening of Philadelphia’s newest neighborhood picture theater, the Venice, Snyder avenue and 18th street. Jacob Blumberg and Charles Steiffel are the owners, and Jack Blumberg Jr., is house manager.”
This Facebook post from the Frisco Parks and Recreation Department indicates that the second Frisco Theatre was a reopening of the 1922 Queen Theatre. The house later changed names again, first to the Gem and finally to the Rio. This page and the page for the Rio (aka Gem) can be consolidated on the Queen’s page, which was the earliest posted for Frisco. The first Frisco was on the same lot as its successors, but was housed in a different building that was lost to a 1922 fire.
The May 2, 1927 Moving Picture World ran this item about the Blake Theatre: “The Blake theatre, Webb City, Mo., has just completed a remodeling job which cost $20,000. The improvements included new upholstered seats, painting of the ceiling and replacing of the floors.”
Are we sure of the aka Civic Junior? More than a year before this house was supposed to have opened as the Dickinson Theatre, the January 6, 1945 issue of Boxoffice had this news about the Civic Junior Theatre: “Webb City Show Closed By Blaze in Booth
“WEBB CITY, MO.—A fire in the projection room of the Civic Junior Theatre here recently destroyed film and caused smoke and water damage which closed the theatre for a few days. Howard Larsen, manager, said the blaze apparently originated from a short circuit in the wiring while Bob Case, projectionist, was checking some film prior to showing.”
If this house was the Civic Junior, our history of it needs to be rewritten.
To expand a bit on Darren_Snow’s comment above, an article in the April 12, 2023 Webb City Sentinel says that the Empress Theatre operated at this address from 1915 to 1928. It appears on a Sanborn map dated March, 1915 (the most recent available for Webb City.) The building was much too small for a theater seating 1,100, so if the seat count is accurate it must have been expanded quite extensively at some point.
The Sentinel article says that the entire half block of buildings that had once included the Empress/Ozark Theatre was destroyed by a fire in December, 1982.
The 1915 Sanborn also shows a combination movie-vaudeville house at 21 S. Allen (now Main) Street. It was larger than the Empress. I can’t confirm a name, but it might have been the Lake Theatre that was listed in the 1914-1915 AMPD.
The company called Warner’s Features operated from 1910 to 1917, as a distribution firm for its first three years and as a production company after that. I can’t find a film titled “Regeneration” but the Warners distributed a 1912 film titled “The Regeneration of Worthless Dan” Which might have been the movie advertised by the poster on the Royal in this photo.
Per Google Maps, the current occupant of the building at 214 S. 6th Street is a restaurant called the 6 Street Café.
Wikipedia has an article on the Mattha Washington Theatre which says the house opened on October 21, 1915, and the first movie shown was Vitagraph’s “The Island of Regeneration” starring Edith Storey. Florence Signor sold the house to Butterfield Theatres in April, 1925.
The Deja Vu strip club, first opened in 1982, was forced to close during the COVID-19 Pandemic, in March, 2000. While closed, the building suffered a major fire that June. Lawsuits were filed by both the city and the club, and the settlement reached in 2022 allowed the club to reopen after certain conditions were met, including returning part of the building to retail use, and the reconstruction of the lost theater marquee. The club reopened on March 1, 2024 and continues in operation today.
The November 13, 1915 issue of Moving Picture World carried a short item about the opening of the house: “THE MARTHA WASHINGTON AT YPSILANTI OPENS.
“The Martha Washington theater, Colonial in design, has been opened at Ypsilanti by Mrs. Florence Wilson Signor. The stucco work is designed after the time of Martha Washington, many of the details and enrichments of the plastic relief are fac-similes taken from her home in Mt. Vernon. The borders, especially those on the ceiling, are taken from some of the ceilings in the White House at Washington, D. C., and other Colonial homes in the East. Bas relief portraits of Martha Washington enhance the two side panels of the proscenium arch. The antique gold frame which surmounts these portraits is an exact fac-simile of the portrait of Martha Washington which enriches the walls at Mt. Vernon. The general color scheme of the entire house is in subdued tones of old rose, French greys and antique ivory. The main panel of the ceiling is in mellow sky effect, containing pearl greys and ivory tints.”
Butterfield’s takeover of the house from Mrs. Signor, who at the time had been the last woman theater operator in the state, was noted in the May 2, 1925 issue of Motion Picture Herald.
The Lyric was opened in 1910, when the May 15 issue of The Nickelodeon ran this item: “LAURIUM, MICH. -The Lyric theater, the newest playhouse on the D. E. Rice circuit, recently opened on Hecla street, near Fourth, under the management of A. L. Cooley, which will be devoted to moving pictures, is said to be the most beautiful and roomy theater on the circuit, which includes Larium, Red Jacket, Mohawk and Negaunee. The theater was planned by the Decorators' Supply Company, Chicago, and the decorating was done by the Chicago Decorating Company, a branch of which is located in Larium.”
The May 15, 1910 issue of The Nickelodeon suggests another possible name for this house: “MARSHALL, Mo.-The Gayety, a new moving picture theater, was recently opened by the Midland Amusement Company of Kansas City, under the management of W. C. Robertson.”
On the other hand, since the April 15 issue of the same journal had said that Mr. Robertson had opened a theater in the Ming Building, and Google’s AI says that the Ming Building was on the north side of Marshall’s town square, which is not Jefferson Street, this house might not have been the Gayety. Unless, of course, Mr. Robertson opened more than one theater at Marshall that year.
Apple Maps is having trouble placing this theater. We should probably go with the alternate address of 109 1st Ave. W.
A post on the “Get to Know Newton” Facebook page reveals that this house was called the Star Theatre. Upstairs in the same building was the Modern Woodmen of America lodge hall, which had been built around 1880. On a 1906 Sanborn map, the downstairs was vacant, so the theater opened sometime between then and 1911, but probably before 1911.
The theater mentioned at the end of this item from the March 12, 1927 issue of Moving Picture World could have been the Capitol, though it doesn’t use that name: “A. G. Stolte with the Blank circuit is in Chicago for a few weeks making a close inspection of the Balaban and Katz system, which he will introduce in the management of the new Riveria theatre to be opened at Omaha, Neb., under his direction. He recently opened the new Englert theatre at Iowa City and new Newton theatre at Newton, Iowa.”
The 1926 and 1927 FDYs list only two theaters in Newton, the Newtonia, with no details, and the 585-seat Rialto. The 1928 edition lists a rather surprising five: the previous two, plus the Capitol, the Strand, and the Rex. As Newtonia is supposed to have been an aka for the Strand, its appearance that year was probably an error, though the same five houses are listed in 1929.
110 N. 2nd Ave. W. is currently occupied by extra office space for a bank next door at 100 N. 2nd. 112 is currently a vacant retail space previously occupied by a boutique.
Newton’s Strand Theatre first appears in the 1928 edition of the FDY. Other local houses making their first appearance that year were the Capitol and the Rex. The Newtonia was still listed, too, held over from earlier editions along with the 585-seat Rialto. The Newtonia Theater was mentioned in the May 16, 1925 issue of The Billboard.
The Rialto Theatre occupied the Clarkson Building, 114-118 First Avenue East, with its entrance in the building’s central bay at 116 First. The building, which is a contributing element in the Newton Downtown Historic District, is the subject of an Iowa Department of Cultural Affairs inventory form (PDF here.)
The building was erected in 1917, though the document inconsistently says the Rialto operated from 1916. No explanation is given for this. However, the document does say that the Rialto was operated by the A. H. Blank Company, and that its co-owner was George P. Hundling, who opened the Capitol Theatre with the Blank company in 1927. The Rialto was closed intermittently for a few years, then reopened full time in 1934 as the circuit’s “B” house in Newton, showing second run films and cowboy movies. It continued in operation until 1954 and has since been used as office or retail space, and is currently office space for a chartable organization.
The Rialto Theatre at Newton, Iowa was mentioned in the August 17, 1918 issue of Moving Picture World.
Google made a pig’s breakfast (not Kosher!) of that link in my previous comment, so here’s another attempt: Google street view (perhaps)
This one is a puzzle. There are Sanborn maps of Westerly from 1912 and 1921, and no theaters are noted on Union Street on either of them. I see only three buildings on Union Street that might have housed a theater, but only one seems very likely. That is a wood frame building at 6 Union Street which in 1912 was marked as “Club Room” (and thus could have been the AOH hall, which is not indicated anywhere else on the map,) and by 1921 had become a synagogue, which it remains today, the Congregation Sharah Zedek.
The other two possibilities are a building on the corner of Main Street which was unidentified in 1912 and which had become a garage by 1921, and the Old Town Hall, across the street and down a bit from the new Town Hall which the map designates as being “from plans.” The Old Town Hall is a compact, three-story brick building which the map says has the town clerk on the 1st floor and a hall on the second floor. It would have been rather small for a theater, and with very little space for the vaudeville the Union advertised. By 1921 it was identified as a Manuel Training School.
The “Club Room”/Synagogue building, which the maps indicate was “16' to eaves” was spacious and could certainly have accommodated a vaudeville stage, is definitely the most likely location for the Union Theatre, despite an unusual location atop a hill with a long stairway leading up to the building (Google street view.)
The October 30, 1915 issue of Moving Picture World said that “[p]icture programs now are the center of attraction at the Blivens opera house at Westerly, R. I. This house formerly played road attractions.”
A Central Theatre was listed at Westerly in the 1914-1915 AMPD. Was that this house? The only other theater listed at Westerly was the Bliven Opera house. Stonington was not listed in the Directory. The Central at Westerly was also mentioned in the July 24, 1915 issue of Moving Picture World. The owner of the Central then was D. A. Smith, who had just bought the Bradley Theatre at Putnam, Connecticut.
A June, 1912 Sanborn map shows “Moving Pictures” in a storefront at 308 Main Street, which was seven doors east of Water Street. I don’t know if this house was related to the Alpine but they were on the same block. The 1914-1915 AMPD lists two houses at Salem; the Auditorium on River Street and the New Lyric Theatre, no location given but most likely the house at 308 Main.
The May 17, 1930 issue of The Billboard said that the Metairie Theater at Metairie Road and Frisco Avenue had opened under the management of C. E. Strauss and H. A. Johnson.
The July 13, 1937 Film Daily noted the change of ownership and name: “United Theaters Add One
“New Orleans— United Theaters will open the newest addition to its subsequent run neighborhood circuit here tomorrow when it starts the Metairie, rechristened the Metry. Theater, which has been a hard operating proposition, was taken over from a corporation headed by Alex Dumeste, Jefferson Parish (county) lawyer, who has been retained as manager.”
I came across the following item from the May 17, 1961 issue of Motion Picture Exhibitor:
This item caught my eye, as I saw that movie. It was released as “Poor White Trash” sometime in the summer of 1962. The production was four-walled (theaters were rented and guaranteed a certain amount, plus what they could earn from concessions, while the distributor of the film collected the entire box office take.) It was clearly presented as an exploitation flick, with full-page ads in the papers touting a lurid tale of lust among the swamp-dwelling Cajuns of Louisiana. I was sure the movie would be crap, but thought perhaps it would at least have some decent Cajun music for a sound track, and in any case the venue in downtown Los Angeles was the Los Angeles Theatre itself, my favorite downtown palace.So on opening day I went downtown and bought my ticket for the early show, which was at first busier than the house usually was. The movie was not a disappointment in that it was utterly disappointing, as I’d expected, and worse, didn’t even have the Cajun music I’d hoped for. The cinematography was execrable, the lighting horrible, the sound hopelessly muddy, the acting amateurish, the characters as unpleasant as they were unbelievable, and the script… well, I had a hard time believing there even was one. As for the touted luridness, all I can say is the movie could easily have been marketed as a sure-fire cure for priapism.
But I was happy to forgive all that (sadly not even comical) failure, as the movie gave me an experience I would surly never have had otherwise. I saw my favorite downtown movie palace packed. The audience kept growing as I watched to movie, and soon came to provide an alternate viewing experience much superior to the one I had bought a ticket for. By the time the movie mercifully ended, I looked around the huge space and saw virtually every seat in view taken, almost all of them by men, and every one of them (I am sure) was a true devotee of the cinematic arts.
I could see people in the second balcony, a part of the theater that had never before been open when I was there. Before leaving the theater (it was a single feature, unusual for those days, and there was no way I was staying for a second showing of that poor piece of black and white trash) I made my way up one of the narrow staircases leading to that mystery area, and for the only time got to see that vast, ornate auditorium from the very top. That alone would have been worth the price of admission.
So now I know a bit more about the men responsible for that wretched moving picture. I forgive them. It was going on two thirds of a century ago, and most likely they are dead now, as are most of the audience I shared the experience with, and it won’t be long before I join them (or nobody) in that (probably imaginary) balcony in the sky. Whether the memory will survive or not I can’t say and really don’t care. It’s here now and I got to enjoy it again. And now I think I’ll make some popcorn.
The November 14, 1956 issue of Motion Picture Exhibitor said that “United Theatres completed renovation and refurbishing of the Grand, Metairie, La..”
This item from the May 17, 1930 issue of The Billboard notes the opening of the Venice Theatre: “An invitation audience of 500 recently attended the formal opening of Philadelphia’s newest neighborhood picture theater, the Venice, Snyder avenue and 18th street. Jacob Blumberg and Charles Steiffel are the owners, and Jack Blumberg Jr., is house manager.”
This Facebook post from the Frisco Parks and Recreation Department indicates that the second Frisco Theatre was a reopening of the 1922 Queen Theatre. The house later changed names again, first to the Gem and finally to the Rio. This page and the page for the Rio (aka Gem) can be consolidated on the Queen’s page, which was the earliest posted for Frisco. The first Frisco was on the same lot as its successors, but was housed in a different building that was lost to a 1922 fire.