It was an Italian spectacle that inspired D.W. Griffith and would inspire Federico Fellini as well to name his ‘heroine’ after her in “Nights of Cabiria.”
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
Rossellini’s “Woman” (“Desiderio”) plus Gassman in “Shamed” (“Preludio d'amore”.) An Italian double bill that circulated widely, if slowly, during the 1950s and early 1960s.
Last week of January 1954. “Furia” had premiered at the System in September 1952 in the original Italian verson.
Directed by Alfred Hitchcock.
Nice one.
Reminded me of the 1957 British film “The Smallest Show on Earth” (Big Time Operators) about a cranky little cinema.
Uncut revival.
“Wal-Yo is Comencini’s "Proibito rubare”.
It was an Italian spectacle that inspired D.W. Griffith and would inspire Federico Fellini as well to name his ‘heroine’ after her in “Nights of Cabiria.”
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
One of the few places De Sica’s 1940 first film, “Rose Scarlatte” was shown in the US or Canada. The Italian soundtrack heard here now remains lost and only the French or Spanish tracks survive on remaining prints.
“Lost Youth” is a Pietro Germi film.
Not sure if it had yet played in New Bedford proper
Two Italian films that were ahead of their time.
Photo in Pittsburgh Press.
“Generals Without Buttons” = “La Guerre des gosses” (1936)
As a prime art house in the city.
“Diary of a Country Priest” by Bresson is one of my favorite films of all time. A profound masterpiece.
“Generals Without Buttons”
“Generals Without Buttons”
“Generals Without Buttons”.
Month of opening. “La Guerre des gossses”, 1936 film.
“La Guerre des gosses”
“La Guerre des gosses”
Rossellini’s “Woman” (“Desiderio”) plus Gassman in “Shamed” (“Preludio d'amore”.) An Italian double bill that circulated widely, if slowly, during the 1950s and early 1960s.