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Wisconsin Avenue will likely be reused for mainstream Hollywood fare, at least until the lease expires. Arthouse fare exists in Washington at the downtown Landmark, at Dupont Circle, at the Avalon, and nearby at the AFI Silver. Looking at the DC area, I see National Amusements and Consolidated operating megaplexes, but their websites indicate preference for stadium seating. Crown operates one theater in the area. That leaves Regal as most likely to takeover, but we shall see.
I agree as to the locale. I used to live in D.C., and returned for a few days vacation. I was surprised by the dreadful walk from Tenleytown Metro to the Wisconsin Avenue Cinemas. So much more pleasant are Cleveland Park, with the fantastic Uptown Theatre, Friendship Heights with the AMC Mazza Gallerie, and Chevy Chase with the Avalon. All of those are real neighborhoods.
Here’s a nice interior photo found on a popular photo website-
The joint company’s “losses” in Washington D.C. are of two multiplexes that aren’t stadium seated! The AMC Union Station was rendered redudant with Regal’s opening of a megaplex downtown, the Gallery Place. The same movies play. If Regal takes the Union Station lease, competition will actually be decreased in this downtown area district!
The Wisconsin Avenue opened 1987 so probably has a 20 year lease? My photo this holiday weekend at http://www.flickr.com/photos/howardbhaas/77637685/
I’ve visited Los Angeles enough to know that Edward is correct. In Los Angeles you can see mainstream films (the Ziefeld’s usual fare) at the Chinese, El Capitan, the original Cinerama Dome auditorium, the Vista, and moving from Hollywood to Westwood Village, the Fox Village, Bruin, National, and Crest. Arthouse & classic films include a great lineup,including the Egyptian, the Fine Arts, S. Pasadena’s Rialto, as well as Last Remaining Seats (often at the Orpheum & the Los Angeles), the Alex, etc. I’m sure there are ones I missed. Some of these screens are 60 or 70 feet wide, sound is super, and the theaters even more super. No, you don’t miss the Ziefeld, because there are so many others, some historic movie palaces.
However, the Ziegfeld has long been one of the best moviehouses of NYC, just as the Senator is in Baltimore, and the Uptown in DC. And, the Ziegfeld will survive only if it has patronage!
I really wanted to visit the Sutton but failed to. I read in a book about its slope being historic. What decorative features were inside the Sutton?
Thanks to Shade for describing the UA 85th Street. I, too, want to visit one lobby, one auditorium, etc. I don’t want to face a hallway of auditoriums! I didn’t mean any disrespect to 62nd and Broadway. It has been awhile since I visited, and perhaps I should again for another impression.
The Paris is one of my favorite moviehouses. I also enjoy the Tower East (72nd Street). I wasn’t impressed with 62nd and Broadway. What’s UA 85th Street like? how big a screen, how many seats? decorated nicely like the Paris & Tower East, or more like 62nd and Broadway?
I’ve volunteered for more than 3 years to save an original Art Deco showplace, the Boyd, in Philadelphia, and have visited hundreds of moviehouses. The Ziegfeld is not a historic movie palace, but it is an elegant theater. The Lobby has interesting memorabilia from the original Ziegfeld. Up the escalator and stairs is another interesting foyer. The auditorium has chairs with ends that are comparable to those found in real movie palaces. The auditorium is huge compared to multiplexes, and the screen very large. I’ve often gone from Philly to the Ziegfeld to enjoy the experience. Outside of Los Angeles, there are very few ornate movie palaces still showing mainstream (not art, not classic) movies on a daily basis. For many years, the Ziegfeld has been the best mainstream moviehouse in New York City, and is worth a few extra dollars for the price of admission.
Please do patronize the Ziegfeld! Otherwise we will only see mainstream movies in the megaplexes!
Some historic photos here, don’t try to enlarge them without membership:
My September 2005 photo of the exterior is here:
The nonprofit organization is planning renovations. Behind the concessions counter, in the foyer adjoining the auditorium is a wonderful Paramount glass mural. Moorish style sconces are on the side walls of the auditorium. Slides rather than a curtain is currently used, but maybe like the Newtown renovations can include a curtain?
Here are 2 closeup photos of the 1953 Boyd letters on the Cinerama marquee. The Sam Eric letters were removed as part of exploratory work for replication of original 1928 French Art Deco marquee, which will replace the current one. The Boyd letters are corroded so the photos aren’t too impressive, and we didn’t post them on our official site (www.FriendsOfTheBoyd.org) but somebody asked so I placed them on a site of mine.
This is wonderful news! Being in Philadelphia, I visited this moviehouse once, and found it to be beautifully furnished inside & with a stellar film presentation. When I read it closed, I feared demolition but instead it sounds like the film program will be even better than the fine movies they already had. Best of luck to the new operators, may they succeed so much they become interested in other theaters in the nation!
May 2005 photo at
current exterior photo at
Exterior photo at
Current exterior photo at
exterior photo at
Current exterior photo,
Although I haven’t been inside since it was a twin, I understand one auditorium is in former stagehouse. The auditoriums aren’t very big from what I hear. There are some interior architectural details one can see, which weren’t visible as a twin.
There are no plans to restore the Bryn Mawr as a single screen theater. There are a few interior architectural details one can see on the interior under current operation, which is better than the Ardmore as a health club for sure. The Ardmore was totally gutted inside.
Official website not working & can’t find a film listing on another website. Did it close?
The City of Chicago will be doubly lucky if the fabulous Uptown Theatre reopens for public enjoyment, and if the paint & plaster restoration is accomplished by an equal gem, Jeff Greene.
Howard B. Haas, of Friends of the Boyd, www.FriendsOfTheBoyd.org
The Friends of the Boyd, Inc. (www.FriendsOfTheBoyd.org) LOVE Cinema Treasures for all the support given our cause of saving & reopening Philadelphia’s last movie palace, and for all the fantastic features of this website. cinematreasures.org is a world class website appreciated & enjoyed everywhere. We will live while normal maintenance is done, and look forward to the future evolution of this wonderful site.
The main (orchestra) floor did not sit 1349 in recent years no matter what the fire sign or literature says. I have a count & a chart, but will tell you it sat more like 800. I know that from seeing movies there, and doing inventory of ALL features in the theater during the 3 years since it has been closed.
Seating was likely about 1500 in 1928, greatly reduced for Cinerama in 1953, and maybe added in 1971 when Cinerama screen removed. Now, I’m not saying you couldn’t have put in temp chairs to reach that total, though I don’t think that was ever done. All the chairs on main level are gone now. New chairs with same design as originals will return, and the seating capacity will greatly increase.
For those interested in Cinerama, “true” Cinerama, requiring 3 projectors, played at the Boyd from 1953 and into early 1960’s with breaks for other films including Ben Hur. The Randolph played “one strip” Cinerama, not with 3 projectors, really more like 70 MM as far as I understand. The Boyd was the only true Cinerama venue in our region. Because it would require a huge curved screen in front of the Proscenium Arch, and 3 separate projection booths on the orchestra floor, real Cinerama is unlikely to ever return to the Boyd. I’m not saying that’s good, merely reality.
Clear Channel is spinning off its entertainment theater business into a separate company which will continue to book Touring Broadway & concerts. The new company will restore & reopen the Boyd. Friends of the Boyd emails out a free Weekly Update email, enter your email at wwww.FriendsOfTheBoyd.org
People think the Boyd’s original vertical sign was removed in 1930 because Irv Glazer wrote so in a book. However, historic photos show the Boyd’s vertical sign still there in 1934, but gone in 1935. The Boyd’s vertical sign was removed in 1935 after litigation by the Chestnut Street Business Men’s Association. We’re going to further elaborate in a Weekly Update email, to receive them, enter yourself at www.FriendsOfTheBoyd.org
Friends of the Boyd don’t think of the current “vertical” as a real vertical sign, but as an ugly huge, signboard incosistent with the gorgeous French Art Deco architecture of the Boyd.